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Exploring Piano Classics Repertoire, Level 6: Piano Book & Online Audio

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Exploring Piano Classics Repertoire, Level 6 Cover Image

Exploring Piano Classics Repertoire, Level 6: Piano Book & Online Audio

A Masterwork Method for the Developing Pianist

By Nancy Bachus

Level: Late Intermediate

Item: 00-42636

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Description
The Exploring Piano Classics series pairs motivating performance repertoire with thoughtful technical studies. Each level contains a Repertoire book with recordings and a Technique book, both with convenient page-by-page correlation. When used together, the books give students a deep understanding of the art of music, performance practices, and the necessary skills to play the piano with technical ease. The Repertoire books include pieces from the major style periods, selected and graded based on festival, competition, and examination lists from the United States, Canada, and the United Kingdom. Background information on each style period, its instruments, composers, and the music itself is included.

Level 6 includes online recordings of the repertoire, performed by internationally known clinician and teacher Nancy Bachus. These provide an indispensable tool for appropriate musical interpretation. A graduate of the Eastman School of Music with an M.M. in Piano Performance and Literature, Nancy Bachus has performed solo recitals across the United States, Canada, and Italy, and appeared in the original "Monster Concerts" in venues such as Lincoln Center and the White House. Titles: Allegro in C Major (Pescetti) * Aria (Reichardt) * Arietta, Op. 12, No. 1 (Grieg) * Bagatelle No. 1, Op. 5, No. 1 (Tcherepnin) * Bourrée in A Minor, TWV 32:12 (Telemann) * German Dance in B-flat Major, K. 600, No. 3 (W. A. Mozart) * Lustig--Traurig, WoO 54 (Beethoven) * Menuet in G Minor (Stölzel) * Menuet Trio di J. S. Bach (Prelude in G Minor), BWV 929 (J. S. Bach) * Opening of the Children's Ball, Op. 81, No. 4 (Kullak) * Prelude in C Minor, Op. 8, No. 1 (Pachulski) * Sarabande, HWV 437 (Handel) * Sommerabend, Op. 71, No. 2 (Grieg) * Sonata in G Major (Cimarosa) * Sonatina in A Minor (Benda) * Souvenir, Op. 10, No. 1 (Karganov) * Vals poetico No. 3 (Granados) * Valse miniature, Op. 10, No. 10 (Rebikov) * Vision fugitive No. 10, Op. 22, No. 10 (Prokofiev) * Waltz in A Minor, Op. posthumous (Chopin).

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Additional Details
Series: Exploring Piano Classics
Publisher: Alfred Music
Page Count: 56
ISBN10: 1-4706-1455-3
ISBN13: 978-1-4706-1455-3
UPC: 038081479941
SKU: 00-42636

More about this title

About the Author: Nancy Bachus

Nancy Bachus

Nancy Bachus brings decades of performance and teaching experience to her work as a pianist, clinician, and music historian. A graduate of the Eastman School of Music with an M.M. in Piano Performance and Literature, she studied with Eugene List and Brooks Smith, and later coached with Fernando Laires. Her performance credits include solo recitals across the United States, Canada, and Italy, as well as appearances in the original "Monster Concerts" at venues including Lincoln Center and the White House.

Bachus has shaped music education through her writing, teaching, and editorial work. She authored the widely respected Spirit anthologies (The Baroque Spirit, The Classical Spirit, The Romantic Spirit, and Beyond the Romantic Spirit) and the Exploring Piano Classics series, and co-authored Great Music & Musicians, a music history outline. Her articles have appeared in Clavier and Keyboard/Clavier Companion, and she served on the editorial board of The Piano Magazine. A Certified Master Teacher by MTNA, she held faculty positions at Cleveland State University and taught at the National Music Camp at Interlochen, Michigan, with 27 years of experience at the college and university levels.

Why we love this

Level 6 students benefit from recordings performed by a nationally recognized clinician whose interpretations model the musical depth and technical refinement these works demand. The thoughtful pairing of repertoire with technique studies, mapped page-by-page, means students aren't just learning pieces; they're building the physical and interpretive skills to understand how classical music works. Graded against festival and examination lists from three countries, this collection hits the exact standard late-intermediate pianists need to progress confidently.

What to expect

Moving through this collection is like taking a guided tour through four centuries of keyboard music. Each piece opens a window into a particular composer's voice and era; you encounter the courtly elegance of Telemann's Bourrée, the lyrical grace of Grieg's Arietta, Beethoven's witty character piece, and the brilliant clarity of Mozart and Pescetti. The recordings ground your understanding in live performance, while the technical studies beneath each piece ensure your fingers can execute what your ears hear.

Who it's for

Late-intermediate pianists preparing for festivals, competitions, or examinations will find a curated collection of works at exactly the right level. Teachers seeking validated repertoire that develops both technique and musical understanding will appreciate the pedagogical structure and the correlation between the technique and repertoire books.

How to get the most out of it

  • Study the provided recordings with the score in hand before playing. Notice how Nancy Bachus phrases across bar lines and shapes the larger architecture of each piece, especially in the slower movements.
  • Reference the style period background notes before your first rehearsal. Understanding the historical context of Baroque, Classical, and early Romantic writing shapes your approach to articulation, pedal use, and ornamentation.
  • Use the technique book alongside the repertoire. When you encounter a technical challenge in a piece, the correlated technique study isolates and develops that specific skill.
  • Record yourself performing each piece and listen back. Comparing your interpretation to the provided model helps you hear phrasing details and balance you might miss while playing.

How to use it

Assign pieces from this collection to students preparing for spring recitals or summer festivals, using the graded difficulty to match each student's current level and goals. The diverse style periods make the collection valuable for building a well-rounded program; a student might pair the Telemann with the Grieg for a recital that spans Baroque and Romantic sensibilities.

Skills your students will build

  • Interpreting Baroque articulation and ornamentation (Telemann, Pescetti, Stölzel)
  • Understanding Classical phrase structure and proportional form (Mozart, Reichardt)
  • Developing Romantic-era rubato and pedal technique (Grieg, Tcherepnin, Beethoven)
  • Sight-reading works across multiple style periods
  • Listening critically to professional performance and modeling interpretation
  • Correlating technical studies with musical repertoire to build integrated skills

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