Ex's Oh's: Marching Band Conductor Score & Parts
As performed by Dave Bassett / As performed by Elle King / As performed by Tanner Schneider / As performed by Nick Angelis / Arranged by Michael Brown
Grade: 2-3
Item: 35-PK00327675
$60.00
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Ex's Oh's - Conductor Score (Full Score) | $8.00 | |
| Ex's Oh's - Flute/Piccolo | $6.00 | |
| Ex's Oh's - Bb Clarinet | $6.00 | |
| Ex's Oh's - Eb Alto Sax | $6.00 | |
| Ex's Oh's - Bb Tenor Sax | $6.00 | |
| Ex's Oh's - Eb Baritone Sax | $6.00 | |
| Ex's Oh's - 1st Bb Trumpet | $6.00 | |
| Ex's Oh's - 2nd Bb Trumpet | $6.00 | |
| Ex's Oh's - 3rd Bb Trumpet | $6.00 | |
| Ex's Oh's - F Horn | $6.00 | |
| Ex's Oh's - Bb Horn/Flugelhorn | $6.00 | |
| Ex's Oh's - Trombone | $6.00 | |
| Ex's Oh's - Baritone B.C. (Opt. Tbn. 2) | $6.00 | |
| Ex's Oh's - Baritone T.C. | $6.00 | |
| Ex's Oh's - Tuba | $6.00 | |
| Ex's Oh's - Electric Bass | $6.00 | |
| Ex's Oh's - Bells/Xylophone | $6.00 | |
| Ex's Oh's - Snare Drum | $6.00 | |
| Ex's Oh's - Cymbals | $6.00 | |
| Ex's Oh's - Quad Toms | $6.00 | |
| Ex's Oh's - Multiple Bass Drums | $6.00 | |
| Ex's Oh's - Aux Percussion | $6.00 |
Parts Added to Cart!
Description
This popular hit from Elle King features a catchy melody and swing style pop. Perfect for the stands or dance features, this chart is solidly scored with plenty of unison and hard-hitting riffs sure to sound great with any size band.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00327675
More about this title
Why we love this
Michael Brown's arrangement captures the infectious energy of the original without overcomplicating it. The unison writing and strong riff work give every section something to grab onto, which means your band sounds cohesive and powerful from day one of rehearsals.
What to expect
Swagger and fun. The melody is immediately recognizable and memorable, while the swing style gives it a groove that feels modern and fresh. There's attitude here without pretension, and your students will feel the difference between playing something popular and playing something *right*.
Who it's for
Bands at the 2-3 grade level looking for contemporary repertoire that engages students and audiences alike. This works equally well whether you're programming for a stadium or a concert setting, and it's accessible enough that developing musicians won't get lost in the arrangement.
How to get the most out of it
- Keep the swing feel loose and relaxed; the strength comes from the rhythmic confidence, not from rushing. Your rhythm section sets the pocket here.
- Balance the unison passages so they cut through without sounding thin. Even with smaller sections, these moments need to land with authority.
- Let the hard-hitting riffs breathe just slightly when they land. Precision matters more than pure speed in this style.
How to use it
Slot this into a pop or rock showcase, or use it as a crowd-pleaser on a concert where you want to build energy and connect with listeners who know the tune. The chart's accessibility makes it a solid choice for mid-season programming when you want to boost morale without derailing your technical development work.
Skills your students will build
- Executing articulation and style in swing idioms
- Balancing unison writing across mixed ensemble voicings
- Maintaining pocket rhythm in contemporary pop arrangements
- Shaping riff-based material for impact and clarity