Everything Is Music: Choral Instrumental Pak
By David Brunner
Item: 35-PK00314955
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Why we love this
Brunner captures Rumi's ecstatic vision without sacrificing musical substance. The piano part doesn't merely accompany; it drives the piece forward with its own rhythmic and harmonic logic, giving your singers something genuinely compelling to lean into rather than float above.
What to expect
Energy radiates from the first measures, driven by the piano's spirited foundation and the choir's soaring response. There's an almost celebratory urgency here, as if the text's wisdom demands immediate expression rather than contemplation.
Who it's for
Intermediate to advanced choirs seeking contemporary sacred or inspirational repertoire with genuine musical weight. Accompanists who enjoy collaborative chamber writing will find the piano part rewarding rather than subordinate.
How to get the most out of it
- Balance the vocal lines so they remain audible over the piano's energetic texture. The underlay can quickly overwhelm if the accompanying instrumentalist isn't conscious of the mix.
- Encourage your singers to match the piano's rhythmic precision and forward momentum. Rubato works against this piece; lock the ensemble into the underlying pulse.
- Shape phrases around the text's natural cadences rather than waiting for obvious musical resting points. Rumi's words often build momentum across what might seem like structural breaks.
How to use it
This works beautifully as an opening number for a concert or service centered on contemporary spirituality or world poetry. Its kinetic character makes it an ideal follow-up to something slower, giving your program momentum and freshness.
Skills your students will build
- Singing over active accompaniment while maintaining phrase shape
- Rhythmic precision in ensemble singing
- Interpreting contemporary vocal writing with stylistic confidence
- Balancing choral blend with a strong piano accompaniment