Everything But You (arr. Kirby Shaw): Choral Instrumental Pak
Arranged by Kirby Shaw
Item: 35-PK00466952
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Description
Here is a 1945 Duke Ellington and Ella Fitzgerald tune that is an easy shuffle. The lyrical "hook" is fun and this arrangement matches that fun with style.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00466952
More about this title
About the Arranger: Kirby Shaw
Kirby Shaw's influence spans across music education globally, having conducted and taught in 45 states and countries across four continents including Canada, Australia, Sweden, Italy, Spain, and Germany. He holds degrees in Music Education and Choral Composition from San Jose State University and earned his DMA in Choral Conducting from the University of Washington. Shaw's career includes founding and directing the acclaimed COS Vocal Jazz Ensemble at College of the Siskiyous, followed by similar ensembles at Colorado State University and the University of Missouri at Kansas City. He now directs the Jefferson State Choral Coalition at Southern Oregon University.
As a composer and arranger, Shaw has created over 2500 works that have sold nearly 20 million copies worldwide and earned him multiple ASCAP awards. His credentials include scatting sessions with Bobby McFerrin, Al Jarreau, Jon Hendricks, and other jazz luminaries, plus directing hundreds of educational recordings and multiple college albums. Beyond his arranging work, Shaw co-created the musical Scroogical (an adaptation of A Christmas Carol) with his wife Markita and performs with the a cappella group Just 4 Kicks. A recent commission from the Mormon Tabernacle Choir underscores his standing in contemporary choral music.
Why we love this
Shaw understands what makes a standard swing. This arrangement captures the playful spirit of the original without sacrificing the melodic warmth that made Ella Fitzgerald's recording so memorable. The easy shuffle groove lets singers focus on phrasing and feel rather than wrestling with complex rhythms, making it an ideal piece for introducing jazz sensibility to singers who may be new to the idiom.
What to expect
Relaxed and groovy, with an infectious lightness that lives in the swing feel rather than the melody itself. The arrangement captures the flirtation and ease of the original recording, letting singers experience the joy of jazz phrasing without technical strain.
Who it's for
Choirs seeking accessible yet stylistically authentic jazz repertoire will find solid material here. This works especially well for groups that have vocal jazz experience or are building toward it, as the easy shuffle groove supports learning without overwhelming.
How to get the most out of it
- Establish a clear groove from the rhythm section first. Have accompanists lock into the shuffle feel before choir rehearsal so singers can sit into the pocket rather than chase the beat.
- Shape the lyrical hook with natural conversational phrasing. Avoid over-articulating; let the syllables sit lightly on the beat.
- Balance the ensemble voicing against the melody line. The arrangement rewards clarity in the supporting voices without drowning out the tune.
- Encourage singers to listen actively to the instrumental parts. This piece teaches musicians to think as an ensemble, not just as individual voice parts.
How to use it
Pair this with other Ellington standards or classic jazz standards to build a concert set that celebrates American songbook writing. It also serves well as a morale booster mid-rehearsal season, offering a change of pace from more serious concert fare while maintaining musical integrity.
Skills your students will build
- Interpreting swing eighths and shuffle rhythms
- Phrasing in jazz style with attention to relaxed articulation
- Listening and responding to ensemble groove
- Singing against a walking bass line and syncopated accompaniment