Everything (arr. Hans Reintjes) Sheet Music Preview

Everything (arr. Hans Reintjes): SSAA Choral Octavo

As performed by Michael Buble / Arranged by Hans Reintjes

Item: 35-DS00487254

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$2.99
Description

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Additional Details
Publisher: Hal Leonard
Page Count: 124
SKU: 35-DS00487254

More about this title

About the Artist: Michael Buble

Michael Bublé is a Canadian pop vocalist whose smooth baritone and jazz-inflected phrasing have made him one of the most commercially successful recording artists of the 21st century. His interpretations of standards and original compositions alike showcase a deep appreciation for classic vocal technique paired with contemporary production sensibilities, making his work exceptionally rewarding material for choral arrangers seeking to bridge popular music and serious vocal training.

Why we love this

Hans Reintjes has crafted an SSAA voicing that preserves the emotional directness of the original while creating genuine four-part writing that keeps all voices engaged. The arrangement sits comfortably for female voices and works beautifully as a ballad feature or a program-closer that audiences instantly recognize and connect with.

What to expect

The arrangement maintains the wistful, intimate quality of the original, with warm harmonic language that feels both modern and timeless. Singing this piece demands focus and control from every voice part, rewarding that discipline with moments of genuine vocal beauty and cohesion.

Who it's for

Choirs with solid sight-reading skills and access to an accompanist or backing track will find this arrangement accessible and gratifying. It works equally well for high school choirs looking for contemporary material with substance and college or community choirs seeking a recognizable feature that doesn't require extensive rehearsal time.

How to get the most out of it

  • Establish the legit over any temptation toward oversinging; this arrangement thrives on restraint and transparency in the upper voices.
  • Pay close attention to the harmonic movement in the alto line, which carries much of the arrangement's sophistication and deserves clarity in the blend.
  • Let the sopranos breathe naturally at phrase endings rather than pushing through for length, which preserves the intimacy of Bublé's original interpretation.
  • Balance the dynamics carefully in passages where accompaniment thickens, ensuring voices don't get buried even when singing softly.

How to use it

Consider this as a midprogram ballad that shifts the energy without losing audience engagement, or use it as your concert finale if you want to end on a note of emotional sincerity. The 124 pages suggests this download includes full score and parts; verify your needs for rehearsal and performance use.

Skills your students will build

  • Blending and balance in SSAA voicing
  • Sustaining legit tone quality in contemporary material
  • Phrase shaping and breath management in sustained harmonic passages
  • Reading and executing jazz-influenced harmonic language

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