Everything (arr. Hans Reintjes): SSATB Choral Octavo

Hans Reintjes has crafted an arrangement that honors Bublé's original while opening the piece to choral forces without oversimplifying the harmonic language. The writing sits comfortably for changing voices and creates genuine musical interest across all four parts rather than relegating anyone to a support role. Your singers will sound accomplished without requiring a fully mature ensemble.

The arrangement carries Bublé's signature warmth and intimacy into a choral setting. There's a sophisticated ease to it, the kind of musical confidence that comes from strong harmonic underpinning beneath an approachable surface. Singers and audiences alike feel the genuine emotion of the song without pretension.

This arrangement works for choirs with a mix of developing and secure singers, particularly programs looking to program contemporary popular music without sacrificing musical substance. It suits both mixed and treble ensembles thanks to the SSA/SSAA voicing flexibility.

• Spend rehearsal time on the legato approach this arrangement requires. Pop arrangements can tempt singers toward rhythmic precision at the expense of line; resist this instinct and shape phrases across measures.
• Balance the divisi passages carefully so that the fuller harmonic palette enhances rather than muddies the arrangement's natural elegance.
• Allow the recorded accompaniment to anchor your rehearsal process, but push your singers to sing independently of it well before performance.
• Address the scooping and portamento that can sneak into pop singing by establishing clear pitch arrival points, especially on longer note values.

Consider this for a concert that bridges classical and contemporary repertoire, perhaps pairing it with standard choral literature to show the continuity between jazz-influenced popular singing and classical art song traditions. It also serves beautifully as a standalone showcase piece for a pop or secular ensemble concert.

• Legit vocal production in a contemporary context
• Reading complex harmonic progressions written for voices
• Singing with stylistic restraint in popular music
• Balancing solo phrasing sensibility with choral ensemble sound
• Tuning tertian and extended harmonies across four parts