Everything: SATB, a cappella Choral Octavo
Words and music by Michael Bublé, Alan Chang, and Amy Foster / arr. Kirby Shaw
Item: 00-PO-0006887
$2.10
Minimum order quantity: 20 copies
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Description
Here's a cute, quick (two-minute) rendition of the Michael Bublé hit. Heartfelt lyrics recognize that despite living in crazy times, a special person in your life makes it worthwhile. No solo or vocal percussion required---this contemporary a cappella arrangement covers the tune with the choir and incorporates aspirated "chk's" as built-in rhythm. Additionally, "doom's" in the lowest voice part layout a supportive bass line, and a catchy "La la" refrain stays in the ear long after the final cutoff. Equally effective with large groups or small ensembles.
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Additional Details
Series:
Alfred Pop Choral Series
Publisher:
Alfred Music
Page Count:
12
SKU:
00-PO-0006887
More about this title
About the Composer: Michael Bublé
Michael Bublé is a Canadian singer and songwriter whose smooth vocal style and interpretations of jazz standards and contemporary pop have made him one of the best-selling artists of the 21st century. His influence on popular music extends well into choral arrangements, where his accessible melodies and emotionally direct lyrics translate naturally to ensemble singing.
Why we love this
Kirby Shaw's arrangement captures the warmth of the original while giving choirs the tools to deliver it without stepping on each other. The rhythmic elements (aspirated chks and doom bass lines) keep the piece grounded and fun to rehearse, and at two minutes, it's the perfect palate cleanser in a concert or a quick confidence builder for less experienced groups.
What to expect
The piece radiates warmth and sincerity. Despite the contemporary pop style, the a cappella treatment gives it an intimate, almost gentle quality, with the rhythmic chks and bass drones providing just enough texture to keep it from feeling sparse or overly sentimental.
Who it's for
This arrangement works for treble-based high school and college choirs as well as adult community ensembles. Its accessibility, short length, and contemporary pop appeal make it equally suited to younger singers building confidence and experienced groups seeking a crowd-pleasing contemporary piece.
How to get the most out of it
- Shape the "La la" refrain with consistent phrasing across all voices; it's the hook that stays with your audience, so treat it as a unified melodic line rather than harmonic texture.
- Synchronize the aspirated "chk's" across the choir so they land as intentional percussion, not scattered breath sounds. Mark them in your score and give them the same attention you'd give to a articulated consonant.
- Balance the bass line "doom's" so they support without overpowering the melody; these should anchor the harmony, not dominate it.
- Maintain conversational tone through the verse; the heartfelt lyrics deserve genuine connection, not belted brightness.
How to use it
Program this as a concert opener or closer to connect with audiences seeking contemporary music alongside classical repertoire. Its two-minute duration and uplifting message make it ideal for spring or fall pop concerts, or as a standalone encore that doesn't demand elaborate staging.
Skills your students will build
- Rhythmic precision without percussion accompaniment
- Layered texture awareness (melody, harmony, rhythmic ostinato)
- Ensemble blend across four distinct voice parts
- Diction clarity in contemporary pop style
- Sustaining emotional connection through lyrical content