Everyday People (arr. Mark Brymer): SATB Choral Octavo
Everyday People (arr. Mark Brymer) Sheet Music Preview

Everyday People (arr. Mark Brymer): SATB Choral Octavo

As performed by Sly The Family Stone / As performed by Sly And The Family Stone / Arranged by Mark Brymer

Item: 35-DS00261971
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Additional Details
Publisher: Hal Leonard
Page Count: 8
SKU: 35-DS00261971

More about this title

About the Artist: Sly The Family Stone

Sly and the Family Stone emerged from the San Francisco Bay Area in the late 1960s as one of the most influential and innovative acts in popular music. Led by Sylvester Stewart (Sly Stone), the band synthesized funk, soul, rock, and psychedelic music into a sound that transcended genre boundaries and spoke directly to the social consciousness of their era. Their music became synonymous with messages of unity and social change, with hits like "Everyday People" serving as anthems for inclusion and acceptance across racial and cultural divides.

The band's tight musicianship and arrangement sophistication made their catalog enduringly appealing to choral directors seeking contemporary repertoire with substance. Sly Stone's songwriting combined infectious grooves with meaningful lyrics, creating music that engages singers intellectually while remaining genuinely fun to perform.

Why we love this

Mark Brymer's arrangement captures the irresistible spirit and social optimism of the original without losing the sophistication that makes this song memorable. The SATB voicing maintains accessibility while providing legitimate four-part writing that keeps all singers engaged, and the arrangement's rhythmic drive translates beautifully in a concert choral context.

What to expect

Warm and inclusive, with a groove that feels both modern and timeless. The piece radiates optimism and community; singers and listeners alike experience that infectious Sly Stone confidence and the genuine invitation to join in.

Who it's for

This arrangement works beautifully for choirs seeking contemporary repertoire that carries both musical substance and positive social messaging. It appeals to directors programming concerts that bridge classical and popular traditions, offering audiences something recognizable and joyful.

How to get the most out of it

  • Emphasize the steady groove in the rhythm section parts; locked bass and percussion give the entire choir a secure foundation to build their ensemble sound.
  • The message of acceptance embedded in the lyrics deserves clarity, so shape phrases around the text meaning rather than allowing the rhythm to override lyrical weight.
  • Let the alto and tenor lines breathe during their supporting moments; Brymer likely crafted countermelodies that enhance rather than compete with the melody.

How to use it

Place this in the second half of a concert where audiences have settled in and are ready to engage with something contemporary and energetic. It pairs well with other 1970s soul or funk arrangements, or position it as a strategic lighter moment between more classical works to remind listeners that choral music lives in all genres.

Skills your students will build

  • Singing syncopated rhythms in a funk-influenced groove
  • Maintaining ensemble precision while emphasizing rhythmic feel
  • Balancing melody and supporting harmony in a pop arrangement
  • Performing with authentic stylistic interpretation beyond classical technique
  • Connecting social consciousness to musical expression and text delivery

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