Everybody Talks Sheet Music Preview

Everybody Talks: Marching Band Conductor Score & Parts

As Recorded by Neon Trees

Words and music by Tyler Glenn and Tim Pagnotta [Neon Trees] / arr. Mike Story

Grade: 2 (Easy)

Item: 00-PK-0008018

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Description
With their infectious mix of driving rock rhythms and great melodies, the Neon Trees are becoming one of today's most popular bands. Here is their 2012 hit in a stellar arrangement. This one will rock the stands! (1:40)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Everybody Talks: Marching Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Big and Easy
Publisher: Alfred Music
Page Count: 116
SKU: 00-PK-0008018

More about this title

About the Composer: Tyler Glenn

Tyler Glenn is the lead vocalist and primary songwriter of Neon Trees, an alternative rock band that emerged from Provo, Utah in the late 2000s. His songwriting balances infectious pop sensibilities with driving rock energy, creating tracks that appeal across radio formats and live performance contexts.

Why we love this

Mike Story's arrangement captures everything that made 'Everybody Talks' a radio staple while remaining genuinely playable at the Grade 2 level. The piece delivers the authentic rock energy your students crave without sacrificing musicianship or requiring advanced technique, making it an ideal choice for building confidence and audience connection simultaneously.

What to expect

Infectious and propulsive, with the kind of rhythmic momentum that makes audiences lean forward. The arrangement captures the original's bright, infectious energy while maintaining clarity across all sections; it feels less like a band piece transcribed from a rock song and more like a rock song written specifically for young musicians.

Who it's for

Marching bands at the Grade 2 level seeking contemporary literature with immediate appeal and genuine entertainment value. Directors building programs around student favorites will find this arrangement validates rock and pop music as legitimate ensemble repertoire while keeping technical demands reasonable.

How to get the most out of it

  • Keep the rhythmic foundation locked between percussion and low brass; the driving pulse is what sells this arrangement, so establish that heartbeat early in rehearsal.
  • Balance the melody across upper voices so it cuts through the rock accompaniment without overshadowing the harmonic texture.
  • Allow the dynamic swells to breathe naturally rather than hitting every marking at full intensity; restraint in the verses makes the choruses land harder.
  • Maintain consistent articulation across the sections playing rhythmic figures; clean, unified tonguing on the rock rhythms strengthens the overall groove.

How to use it

This works exceptionally well as a high-energy closer for spring concerts or as the centerpiece of a contemporary music showcase. It also serves as an excellent morale builder during the marching season when students need a break from standard literature, and its relatively quick runtime (1:40) makes it ideal for halftime performances.

Skills your students will build

  • Locking rhythmic unison across multiple voices and sections
  • Maintaining groove and pocket in rock-influenced meters
  • Balancing melody projection with accompaniment texture
  • Executing clean articulation on syncopated rhythmic figures
  • Reading and performing contemporary popular music notation

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