Everybody Have Fun Tonight (arr. Alan Billingsley) Sheet Music Preview

Everybody Have Fun Tonight (arr. Alan Billingsley): 2-Part Choral Octavo

As performed by Wang Chung / Arranged by Alan Billingsley

Item: 35-DS00416001

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Additional Details
Publisher: Hal Leonard
Page Count: 14
SKU: 35-DS00416001

More about this title

About the Artist: Wang Chung

Wang Chung emerged from the 1980s new wave and synth-pop scene with infectious pop sensibilities and sharp production instincts. The duo (Jack Hues and Nick Feldman) crafted radio-friendly tracks that blended synthesizers, rock instrumentation, and propulsive grooves, earning them mainstream recognition throughout the decade. Their ability to write memorable hooks and arrange layered production made their work instantly recognizable and enduring.

Why we love this

Alan Billingsley's arrangement captures the unrelenting energy of this 1986 hit while making it entirely accessible for developing singers. The 2-part voicing preserves the song's pop-rock DNA without requiring advanced harmonic literacy, and the stripped arrangement keeps attention on the irresistible melody that made this song a cultural fixture.

What to expect

Pure, unironic fun. The arrangement sparkles with 1980s synth-pop charm, featuring bright rhythmic energy and that instantly recognizable hook that listeners can't help but anticipate. This is music designed to make people move and smile.

Who it's for

Choirs seeking contemporary material that genuinely excites singers and audiences alike will find this arrangement especially useful. It works well for mixed-age or mixed-ability ensembles because the straightforward voicing accommodates various skill levels without sounding simplistic.

How to get the most out of it

  • Find the pocket early. This song lives in its groove, so lock the rhythm section or accompaniment track first before layering in vocal entrances.
  • Commit to the attitude. The lyrical repetition and simple message demand genuine energy and joy from your singers; underplaying it flattens the effect.
  • Balance clarity with blend. The melody should punch through in the 2-part texture, but avoid sacrificing the unified sound that makes pop arrangements work.

How to use it

Drop this into a pop or contemporary-themed concert to bridge the gap between classical repertoire and what your singers actually listen to. Its 14-page length makes it a substantial closer or an early-set energy boost without demanding extended rehearsal time.

Skills your students will build

  • Rhythmic precision in syncopated pop contexts
  • Balancing solo melody awareness with ensemble blend
  • Sustaining energy and character through repetitive material
  • Interpreting style and attitude in non-classical music

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