Every Valley Needs A Lily (arr. Stacey Nordmeyer) Sheet Music Preview

Every Valley Needs A Lily (arr. Stacey Nordmeyer): SSA Choral Octavo

By Robert Lowry / Arranged by Stacey Nordmeyer

Item: 35-DS00450210

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00450210

More about this title

About the Composer: Robert Lowry

Robert Lowry (1826-1899) was an American Baptist minister and prolific composer of hymns and gospel songs during the 19th century. His melodies combined accessibility with genuine emotional depth, making them favorites in churches and revival meetings across America. Lowry's gift for writing singable, memorable tunes that conveyed spiritual conviction without pretension established him as one of the most performed American hymn writers of his era.

Why we love this

Stacey Nordmeyer's arrangement captures the hopeful resilience at the heart of Lowry's melody while giving SSA choirs the harmonic sophistication and independence they crave. The text speaks directly to graduates and anyone navigating transition; paired with an arrangement this well-crafted, it becomes a moment of genuine meaning rather than obligatory sentiment.

What to expect

Gentle affirmation wrapped in a melody that lingers. The text's central image of lilies blooming in valleys evokes quiet strength and the discovery of beauty in unexpected places, supported by an arrangement that feels both comforting and forward-looking.

Who it's for

SSA and SSAA choirs preparing graduation services, spring concerts, or any program centered on hope and moving forward. This works equally well for experienced ensembles and developing choirs looking for repertoire with real musical substance.

How to get the most out of it

  • Balance the soprano line against the alto voices so the melody doesn't overshadow the harmonic movement that gives the piece its character.
  • Shape the phrase contours through dynamic nuance rather than relying on tempo changes; this arrangement rewards careful attention to text underlay and breath placement.
  • Let the arrangement breathe at structural points; Nordmeyer has likely built in moments of lightness that can be lost if the tempo feels rushed.

How to use it

Open a second act with this piece to reset the emotional tone, or place it near the end of a concert as a benediction. Its inspirational character makes it ideal for graduation programs, but it also fits naturally into spring concerts or services focused on resilience and growth.

Skills your students will build

  • Singing independent alto lines while maintaining awareness of the melodic soprano part
  • Shaping legato phrases across longer phrase arcs
  • Blending a three-part texture with clarity and balance
  • Interpreting text with emotional authenticity

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