Every Little Thing She Does Is Magic (arr. Roel Griffioen): SSMAA Choral Octavo

Roel Griffioen's arrangement captures the hypnotic simplicity of the original while opening it up for five voices. The piece retains the song's infectious hook and understated sophistication, making it an excellent bridge between pop repertoire and contemporary choral literature without sacrificing either audience appeal or musical substance.

The piece maintains the original's wistful admiration and gentle humor, with voices weaving around each other in ways that feel both modern and surprisingly intimate. There's a quality of earnest devotion paired with a knowing smile, making it approachable for audiences while remaining musically engaging for the singers.

Choirs at the high school and early college level who want contemporary music that challenges their voicing flexibility without requiring instrumental accompaniment. This arrangement works equally well for show choirs seeking a sophisticated pop selection and traditional choral ensembles looking to expand beyond classical or musical theater repertoire.

• Anchor the groove by having your altos and basses establish a steady rhythmic foundation before sopranos and mezzo-sopranos enter with the main melody; this creates the locked-in quality that makes the song work.
• Keep the text delivery conversational and natural rather than operatic, letting the lyrics breathe as they would in the original recording.
• Pay attention to dynamic restraint in the verses; this arrangement benefits from starting quietly and building gradually rather than jumping to full volume early.
• Balance the divisi sections carefully so all five parts remain audible without anyone overpowering the blend.

Position this as a second-half opener or closer at concerts where you're mixing classical and contemporary work; it creates an immediate shift in tone and energy without feeling incongruous. It's also ideal for showcasing your ensemble's ability to balance homophonic and contrapuntal writing within a single piece.

• Sustaining independent melodic lines within a group setting (SSMAA divisi)
• Executing close harmony voicings with precise intonation
• Maintaining stylistic cohesion in contemporary, rhythmically driven arrangements
• Text delivery and phrasing in pop and rock idioms
• Dynamic control and blend across five distinct vocal parts