Every Little Thing She Does Is Magic (arr. Martin Cornelissen): SSAA Choral Octavo

Martin Cornelissen's arrangement captures the song's irresistible hook while giving choral singers a legitimate musical challenge. The four-part writing creates genuine harmonic interest without sacrificing the infectious energy that makes this tune instantly recognizable to singers of all ages. Programming this piece signals that your choir performs contemporary pop with real artistry.

This arrangement radiates warmth and joy without sacrificing musical substance. The blend of reggae inflection, pop melody, and modern choral writing creates a sound that feels both contemporary and timeless, inviting singers to commit fully to both groove and blend.

Choirs seeking accessible pop repertoire that earns respect from musicians and audiences alike will find this arrangement perfect for concert programs, community events, or competitions. Singers at the high school level and beyond will engage with both the iconic melody and the harmonic sophistication that Cornelissen layers underneath.

• Anchor the groove in the rhythm section. Even in a choral setting, this arrangement lives in its pocket; intonation locks in naturally when the pulse feels organic rather than metronomic.
• Balance the melodic line across sections. Resist the urge to let sopranos dominate; the arrangement distributes thematic material intentionally, and exposure brings out its design.
• Record a rough pass early in rehearsals. Hearing themselves against the full four-part texture helps singers identify their voice parts and builds confidence faster than traditional sightreading.

Feature this as a contrasting pop selection alongside classical or jazz standards to showcase your choir's range. The energy and familiarity make it a strong opener for community concerts, while its musical maturity holds its own in more formal competition or festival settings.

• Singing against steady reggae-influenced rhythmic patterns while maintaining vocal independence
• Balancing melody across multiple voice parts in contemporary harmonic structures
• Responding to dynamic contrast and text expression within pop idioms
• Achieving blend and tuning in four-part SSAA writing