Evermore (from Beauty And The Beast) (arr. James Kazik) Sheet Music Preview

Evermore (from Beauty And The Beast) (arr. James Kazik): String Orchestra Conductor Score & Parts

As performed by Josh Groban / Arranged by James Kazik

Grade: 3-4

Item: 35-PK00398717

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Description
As performed by Josh Groban and "The Beast" (Dan Stevens), here is the powerful new song from the live-action adaptation of Disney's classic "Beauty and the Beast." Alan Menken and Tim Rice, once again, are at their songwriting best. Dur: 3:00

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00398717

More about this title

About the Artist: Josh Groban

Josh Groban is a classically trained vocalist whose crossover appeal has made him one of the most commercially successful artists of his generation. His ability to move between operatic phrasing and contemporary pop sensibility has earned him multiple Grammy nominations and a devoted international audience. In the classroom and rehearsal hall, Groban's recordings serve as excellent models for legit singing technique, sustained vocal line, and emotional maturity in musical interpretation.

Why we love this

Kazik's arrangement preserves the emotional weight of Menken and Rice's composition while writing string parts that are both musical and accessible at the Grade 3-4 level. The orchestration allows younger ensembles to sound genuinely moving without requiring virtuosic technique, making this ideal for programs seeking repertoire that impresses audiences without overwhelming students. The three-minute duration fits perfectly into concerts where you need an emotional anchor without eating up excessive rehearsal time.

What to expect

A moment of quiet resignation that builds into affirmation. The melody carries the vulnerability of someone accepting their transformed circumstances while finding unexpected strength in the moment. Lush string harmonies support an increasingly hopeful arc, creating a soundscape that feels both cinematic and intimately human.

Who it's for

String orchestras at the intermediate level seeking a film-based arrangement with genuine emotional appeal. Directors programming concerts that balance accessibility with artistry will find this pairs well with classical repertoire or contemporary concert themes.

How to get the most out of it

  • Shape the opening phrase with gradual dynamic growth rather than entering at full volume; this allows the piece's emotional arc to unfold naturally.
  • Balance the melody line across your first violins and violas to ensure the song's central theme carries over accompanimental texture.
  • Consider the recorded performance as a reference for tempo and phrasing, but allow your ensemble's acoustic properties to guide final choices about rubato.
  • Ensure sustained tones in lower strings remain vibrant and present; sag in these voices weakens the harmonic foundation.

How to use it

This works exceptionally well as a pops or film music feature in a concert, especially when paired with other Disney arrangements or contemporary film scores. It also functions as an impressive final selection for a spring concert where the emotional payoff of the piece can resonate with audiences. Many directors program this alongside dance or theater performances, given its stage-ready arrangement and clear dramatic trajectory.

Skills your students will build

  • Sustained legit singing style through extended melodic lines
  • Balance between melody, countermelody, and accompaniment in harmonic texture
  • Phrasing with rubato and expressive dynamics across a three-minute arc
  • Reading and executing frequent dynamic changes throughout the piece
  • Awareness of film and theatrical scoring conventions in string writing

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