Evening Song (Abendlied): Concert Band Conductor Score & Parts
Arranged by Shelley Hanson
Grade: 3
Item: 35-PK00345593
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Description
Written in 1873, "Evening Song" is one of the best-known choral works of Josef Rheinberger (1839-1901), German composer, organist and teacher. Displaying an exceptional lyric quality and utilizing a full range of dynamic contrast, Shelley Hanson's arrangement is specifically designed with flexible instrumentation to be performed in a variety of ways. This piece is equally effective whether performed by a traditional concert band or by a smaller chamber ensemble. Dur: 2:50
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00345593
More about this title
About the Arranger: Shelley Hanson
Shelley Hanson is an accomplished arranger and composer whose work bridges classical and contemporary ensemble traditions. Her arrangements are known for their accessibility without sacrificing musical integrity, making them reliable choices for conductors seeking quality repertoire at the intermediate level.
Why we love this
Hanson's arrangement preserves the tender lyricism of Rheinberger's original while solving a real programming challenge: how to perform this beloved 19th-century work with the instrumentation you actually have. The flexible scoring means you're not limited by missing chairs, yet the piece never sounds thin or compromised.
What to expect
A hushed moment of reflection and warmth, as if a familiar melody is being shared around a smaller gathering. The piece invites listeners into an intimate space without sentimentality; there is maturity and composure in its restraint.
Who it's for
Directors programming Grade 3 concert band repertoire who want a work with genuine artistic substance rather than novelty appeal. This arrangement works equally well for traditional concert bands and smaller ensembles lacking complete instrumentation, making it a practical choice for schools with flexible roster sizes.
How to get the most out of it
- Shape the long lyric lines with subtle dynamic shaping rather than strict adherence to marked dynamics; let the natural arch of the melody guide the swell and release.
- Coordinate the accompaniment parts to sit just beneath the melody instruments, creating a transparent texture that highlights Rheinberger's harmonic language without drowning it out.
- Balance the dynamic contrasts across your ensemble; even at mezzopiano, maintain clarity in all sections so that transitions feel intentional rather than accidental.
- Consider the 2:50 duration as an invitation to chamber-like intimacy; resist the temptation to push tempo or volume just because you have a full band available.
How to use it
Pair this with other European salon or character pieces from the 19th century for a thoughtful concert section exploring the lyric tradition. Its brief duration and evening-appropriate title also make it effective as a concert opener that sets a contemplative tone for more substantial works to follow.
Skills your students will build
- Sustaining long lyric lines with consistent tone and breath control
- Reading and executing subtle dynamic gradations (mp, p, pp, and crescendo/diminuendo within narrow ranges)
- Balancing melody and accompaniment textures in four-part writing
- Ensemble blend and transparency at soft dynamic levels