Evangeline: Two Cajun Songs: Score
Traditional / arr. Michael Story
Grade: 3
Item: 00-PR-0001538
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Description
Characterized by a French dialect, the Cajun people have an equally distinct musical tradition. This lovely arrangement captures the spirit and enthusiasm of these proud people. Presented in two separate movements, the diversity of the Cajun music heritage is pronounced as your students play "Tout Un Beau Soir En Me Promenant (On a Beautiful Evening While Out Walking)" and "Danse de Mardi Gras." (2:05)
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Evangeline: Two Cajun Songs: Score comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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Additional Details
Series:
Belwin Concert Full Orchestra
Publisher:
Alfred Music
Page Count:
152
SKU:
00-PR-0001538
More about this title
About the Arranger: Michael Story
Michael Story is a prolific composer and arranger whose catalog spans wind band, orchestra, and choral music. His arrangements are known for making culturally rich repertoire accessible to student ensembles while preserving authentic musical character and pedagogical clarity.
Why we love this
Story's arrangement respects the source material while creating genuine scoring opportunities across the full orchestra. The two-movement structure lets students experience the diversity of Cajun music heritage in a single rehearsal block, and the Grade 3 accessibility means your orchestra can tackle authentic cultural music without compromise.
What to expect
The first movement unfolds with the gentle pace of an evening stroll, its melodies colored by French dialect and regional warmth. The second movement shifts into the spirited, communal energy of Mardi Gras celebration, where rhythm and joy drive every phrase.
Who it's for
Orchestras at Grade 3 level looking to program music beyond the European canon. This arrangement works for conductors seeking to deepen student understanding of American regional music traditions and for orchestras preparing for concert or festival performance.
How to get the most out of it
- Balance the melodic voices against the rhythmic foundation, especially in the second movement where dance character depends on a steady, energetic pulse from the lower voices.
- Listen carefully to recordings of traditional Cajun music to understand the speech patterns and rhythmic flexibility that should inform phrasing, even within a notated score.
- Shape the dynamics of the walking section in the first movement to suggest the landscape the title evokes, allowing the melody room to breathe.
How to use it
Pair this with other American or folk-based repertoire to build a concert theme around regional musical heritage. The two-movement structure and moderate length (2:05) make it a strong centerpiece without dominating rehearsal time, and it translates well to both concert and festival contexts.
Skills your students will build
- Reading and interpreting French dialect text within musical context
- Balancing melody and accompaniment across a full orchestra texture
- Responding to rhythmic character specific to dance music tradition
- Coordinating orchestral sections to maintain regional musical authenticity