Ev'rybody Wants To Be A Cat (from The Aristocats) Sheet Music Preview

Ev'rybody Wants To Be A Cat (from The Aristocats): Lead Sheet / Fake Book

As performed by Al Rinker

Item: 35-DS00376785

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Additional Details
Publisher: Hal Leonard
Page Count: 1
SKU: 35-DS00376785

More about this title

About the Artist: Al Rinker

Al Rinker was a singer, songwriter, and composer who worked extensively in film and television during Hollywood's golden age. He co-wrote "Ev'rybody Wants To Be A Cat" with Floyd Huddleston for Disney's 1970 animated feature The Aristocats, creating one of the studio's most enduring and playful songs.

Rinker's gift was crafting music that felt effortless and joyful while remaining musically sophisticated. His work across Disney projects demonstrates a deep understanding of how to write for young performers and audiences without sacrificing genuine musicianship.

Why we love this

This lead sheet captures the infectious swing and rhythmic vitality that makes the song stick in listeners' heads for years. Young pianists and vocalists respond immediately to its conversational melody and straightforward harmonic language, making it an excellent vehicle for teaching jazz-inflected phrasing and syncopation without overwhelming students with complexity.

What to expect

Upbeat and impudent, with the spirit of cats prowling through a moonlit alley. The melody bounces with personality, and the harmonic motion feels like a stroll rather than a march; there's room to linger and play with the phrasing.

Who it's for

This works beautifully for young vocalists developing interpretive skills, keyboardists learning to comp in a swing idiom, and music classes exploring Disney songcraft. It's accessible enough for middle school ensembles yet offers enough character detail to reward performers in high school or community settings.

How to get the most out of it

  • Treat the syncopation as conversational. The rhythm should feel like speech, not mechanical, so encourage singers to breathe naturally between phrases rather than strictly metronomic.
  • Lay back slightly on the beat when accompanying. The swagger of this tune lives in the space between strict time and ahead of it, particularly under the main melody.
  • Bring out the call-and-response sections if you're working with multiple singers or adding group parts. The song's DNA comes from that playful back-and-forth energy.

How to use it

Use this as a gateway to teaching jazz vocabulary and swing feel without requiring advanced harmonic analysis. It pairs well in a set exploring Disney songwriting or as a palate cleanser between heavier classical or contemporary pieces. Many ensembles find it lifts energy during rehearsals when morale needs a boost.

Skills your students will build

  • Swing rhythms and syncopation
  • Phrasing in a jazz idiom
  • Reading lead sheet notation
  • Conversational vocal delivery
  • Comping and accompanying in a jazz style

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