Etudes with Technique, Book 4 Cover Image

Etudes with Technique, Book 4: Piano Book

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Etudes with Technique, Book 4 Cover Image

Etudes with Technique, Book 4: Piano Book

By Helen Marlais, Suzanne Torkelson

Level: Intermediate

Item: 98-FJH2028

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Description
This 56-page book presents new techniques and expands on previous ones such as Five Finger Patterns and Extensions, Scale Preparation and Octave Scales, Slurs and Phrasing, Broken Chords and Alberti Bass, Double Notes, and Repeated Notes. Most of the 33 etudes, written by composers from Baroque to Contemporary periods, are one page in length with suggestions as to what to listen for or how to use your hands/arms. Includes an easy-to-use thematic index and informative short bios on each composer.

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Additional Details
Series: Succeeding with the Masters & The Festival Collection
Publisher: The FJH Music Company, Inc.
ISBN10: 1-61928-021-3
ISBN13: 978-1-61-928021-2
UPC: 674398230921
SKU: 98-FJH2028

More about this title

About the Composer: Helen Marlais

Helen Marlais is a composer and pedagogue deeply committed to building technical facility through musical exploration. Her work with the Succeeding with the Masters series reflects a philosophy that technique and artistry develop together, not in isolation, and that students benefit from understanding the composers whose works they study.

Why we love this

This book cuts through the false choice between technique and musicality. Rather than drilling technique in isolation, Marlais embeds each skill within actual repertoire from recognizable composers, so students understand why they're building these tools. The thematic index and composer bios transform what could be dry finger work into genuine musical discovery.

What to expect

A masterclass disguised as etude work. You move between Baroque clarity, Romantic lyricism, and contemporary sparkle, each piece designed to isolate one technique while sounding genuinely musical. There's real satisfaction in discovering that a tricky passage actually sits under your hands once you understand what it's meant to do.

Who it's for

Intermediate pianists ready to expand their technical vocabulary across multiple styles and periods. This works especially well for students preparing for festivals or exams where command of scales, broken chords, and articulation matters.

How to get the most out of it

  • Study the hand and arm suggestions provided with each etude before you play. These aren't arbitrary notes; they address the specific physical problem each piece is designed to solve.
  • Listen to the composers suggested in the listening prompts. Hearing how Baroque composers shaped slurs differently than Romantic ones gives context to the technique you're developing.
  • Work through five-finger patterns and extensions methodically, but don't linger on any single page. The book's progression is deliberate; moving forward builds on what came before.

How to use it

Assign etudes systematically throughout the year as technical building blocks for the repertoire your student is learning concurrently. When a student struggles with Alberti bass patterns in a Beethoven sonata, you have a focused study waiting. The book also works as a comprehensive technique curriculum on its own, moving sequentially through the core skills intermediate pianists need.

Skills your students will build

  • Five-finger patterns and hand extensions across the keyboard
  • Scale preparation and facility with octave scales
  • Legato slurring and phrasing across hand positions
  • Broken chord patterns and Alberti bass figures
  • Double note technique and control
  • Repeated note articulation and clarity
  • Musical interpretation across Baroque, Classical, Romantic, and Contemporary styles

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