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Etudes Op. 10 (The Complete Chopin):

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Etudes Op. 10 (The Complete Chopin) Cover Image
Etudes Op. 10 (The Complete Chopin):

Etudes Op. 10 (The Complete Chopin):

By Fryderyk Chopin / ed. Roy Howat

Level: Advanced

Item: 98-EP73227
$17.95
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The Complete Chopin - A New Critical Edition from Edition Peters is firmly established as the most important ongoing scholarly edition of Chopin's music and is a must for any discerning pianist. The world's foremost Chopin editors, under Editor-in-chief John Rink, bring their unrivalled collective knowledge to imbue the project with unique authority, drawing upon the latest international scholarship. The Complete Chopin prioritizes the needs of the practical pianist and provides a beautifully presented performing text of each work based on a single principal source together with important variants, along with thorough critical commentaries and illuminating prefatory essays in English, French and German.

Chopin's etudes occupy a central position in piano literature. Prized by generations of the greatest pianists as the supreme examples in the genre, their reputation rests on their not only challenging specific aspects of a pianist's technique, but also for being great music, transcending the genre of mere 'study'.

In this edition of opus 10 (the earlier of Chopin's two main sets of studies, ending with the famous 'Revolutionary' etude), pianist and scholar Roy Howat presents a new edition which addresses the many errors in the very poorly engraved first French edition of 1833 - an edition that nevertheless included many important revisions made at proof stage. Basing each Etude on either the first French edition or the autograph manuscript from which it was engraved, Howat has produced an Urtext edition that corrects many longstanding errors, sometimes for the first time, as well as showing authentic variant readings by Chopin, some of them never before published. Sources are clearly distinguished, avoiding a 'conflated' text while presenting a clear and reliable performing edition, ideal for all who aspire to play these cornerstones of piano repertoire in an informed way.

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Additional Details
Series: The Complete Chopin – A New Critical Edition
Publisher: Edition Peters
Page Count: 80
ISBN10: 0-577-01573-7
ISBN13: 979-0-577-01573-6
SKU: 98-EP73227

More about this title

About the Composer: Fryderyk Chopin

Fryderyk Chopin (1810, 1849) transformed the piano from a vehicle for virtuosic display into an instrument capable of profound lyrical expression and intimate emotional depth. His output, though relatively small, fundamentally reshaped what composers expected from keyboard writing and what pianists could achieve technically and artistically.

Chopin's etudes represent his most enduring pedagogical legacy. Unlike the mechanical studies of his contemporaries, these works embed technical challenges within genuine musical substance; a pianist working through Op. 10 is not merely drilling finger work but grappling with issues of tone production, harmonic sophistication, and interpretive nuance that remain unmatched in the solo keyboard repertoire.

Why we love this

The Howat edition cuts through generations of editorial compromise by returning to primary sources and addressing the notorious engraving errors that plagued the 1833 first edition. Advanced students finally encounter these works as Chopin conceived them, not as they have been perpetuated in flawed copies. The critical apparatus and scholarly apparatus support serious practitioners who want to understand the composer's intentions rather than settle for standardized interpretations.

What to expect

These etudes move between technical constraint and unbridled expressivity. One moment you are navigating torrents of rapid passagework; the next, you inhabit a landscape of nocturne-like lyricism. The engineering is always purposeful, never empty; even the most demanding passages pulse with harmonic color and melodic intention.

Who it's for

This edition serves advanced pianists preparing these works for recital, competition, or graduate study. It is equally valuable for teachers who want authoritative texts for their most serious students and who need a scholarly foundation for discussing interpretive choices.

How to get the most out of it

  • Reference the critical commentary for each etude before beginning; Howat's notes reveal source variants that directly affect phrasing and voicing decisions, particularly in passages where multiple authoritative versions exist.
  • Attend to the prefatory essays on technique and structure. Understanding what specific mechanical problem each etude addresses (hand position, independence of fingers, octave dexterity) clarifies the musical intent and prevents treating these works as disconnected technical exercises.
  • Test different pedal approaches against the manuscript indications provided in this edition. The Peters edition's fidelity to original source material often reveals pedaling subtleties obscured in earlier reprints.
  • Study the autograph facsimiles when available. Seeing Chopin's own notation and corrections builds intuition about tempo relationships, dynamic shadings, and articulation that printed editions necessarily simplify.

How to use it

The Op. 10 set works beautifully as a complete recital program or as carefully selected individual pieces anchoring a larger solo concert. Pairing individual etudes with Chopin's nocturnes or mazurkas creates a coherent portrait of his aesthetic. Advanced students can tackle one etude per season as a technical and interpretive milestone.

Skills your students will build

  • Control of fast passagework across multiple registers with consistent tone and evenness
  • Legato pedaling and sustain techniques specific to the Romantic piano sound
  • Harmonic analysis of chromatic writing and unexpected tonal shifts
  • Interpretation of sparse notation and manuscript indications without over-reliance on editorial fingerings
  • Finger independence and controlled hand position across varying technical demands
  • Phrasing strategies in works that blend etude constraints with genuine compositional substance

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