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Etudes for Jazz Piano: Keyboard/Piano Book & Online Audio

$15.95 USD
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Etudes for Jazz Piano Cover Image

Etudes for Jazz Piano: Keyboard/Piano Book & Online Audio

Conversations of the Hands

By Emiko Hayashi

Level: Intermediate / Advanced

Item: 24-EFJP

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Description
A "must have" for all pianists seeking a creative approach to developing left and right hand coordination. The exercises and solos (based on the chord changes to well-known standards) are rhythmic, colorful, and fun to play. The chapters cover six specific areas of left hand development and left/right hand integration, with practical application from standard jazz tunes in the form of musical solo piano pieces. This book will definitely be an essential part of your practice routine. Besides improving your hand coordination, it will challenge you to think differently about it. All of the concepts are easily applicable to the "real world." Highly endorsed!

"Pianist Emiko Hayashi has written a very comprehensive, challenging yet very accessible method book. With exercises designed for left hand alone and exercises designed to develop interplay between the hands, I wholeheartedly recommend this book. I've already started practicing!" ---Kenny Barron

"In Etudes for Jazz Piano Emiko Hayashi illuminates a challenge that faces scores of jazz pianists at all levels; that of integrating the left hand in improvisation in a meaningful way, not only as an accompanist, but as an integral part of the whole. By taking various jazz standards and creating etudes specifically for the left hand as well as for developing coordination and the conversational aspects between the left and right hands, Ms. Hayashi illustrates many possibilities for expanding one's technical and expressive range. I would think this set of etudes would be extremely useful to jazz pianists at any stage of development since the obvious outcome of the study will improve one's ability to play melodically and expressively throughout the keyboard, without regard to the traditional roles of the left and right hands." ---Todd Coolman

"It is understood that all musicians must play piano. Emiko's book fills a void for non-pianists addressing specific technical problems which will help towards being able to use the piano to improve and enlarge one's playing and composing, no matter what instrument you play. This is a hands-on book directed towards immediate results." ---David Liebman

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Additional Details
Publisher: Jamey Aebersold Jazz
Page Count: 64
ISBN10: 1-56224-062-5
ISBN13: 978-1-56224-062-2
UPC: 635621501034
SKU: 24-EFJP

More about this title

About the Composer: Emiko Hayashi

Emiko Hayashi is a pianist and pedagogue whose work addresses one of jazz education's most persistent challenges: developing independent, musical left hand facility. Her approach combines technical rigor with musicality, drawing from her experience working with pianists across multiple levels.

Why we love this

Kenny Barron's endorsement alone speaks volumes, but what really stands out is how Hayashi frames left hand development not as a technical problem to solve but as a musical conversation to nurture. Most jazz piano methods treat the left hand as accompaniment; this one treats it as an equal partner in improvisation and interpretation.

What to expect

These etudes feel less like exercises and more like miniature solo pieces built from the harmonic language of jazz standards you already know. Working through them creates a shift in how you hear and play; the left hand gradually stops feeling like an accompanist and starts feeling like a voice with something to say.

Who it's for

Intermediate to advanced jazz pianists ready to move beyond comping patterns and develop genuine left-hand independence. Anyone who's struggled to make their left hand sound intentional rather than purely functional will find concrete, musically satisfying solutions here.

How to get the most out of it

  • Work through each chapter's solo etudes after mastering the left-hand-only exercises. The progression builds real confidence before you layer both hands.
  • Use the online audio as a reference for phrasing and swing feel, then record yourself playing along to train your ear for the interplay between hands.
  • Transpose the etudes into different keys once you've learned them in the original. This forces you to think about the left hand patterns rather than relying on finger memory.

How to use it

Assign this as a semester-long private study resource for jazz piano students preparing for recitals or jazz ensembles. The etudes also work beautifully in group lessons where pianists can listen to each other's interpretations and discuss different approaches to the same changes.

Skills your students will build

  • Left hand independence and voice leading in jazz contexts
  • Hand coordination in syncopated rhythmic patterns
  • Harmonic awareness and reharmonization of jazz standards
  • Integration of left and right hand as equal improvisational voices
  • Application of technical concepts to actual solo performance

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