Etling String Class Method, Book 1 Cover Image

Etling String Class Method, Book 1: Teacher's Manual Book

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Etling String Class Method, Book 1 Cover Image

Etling String Class Method, Book 1: Teacher's Manual Book

By Forest Etling

Item: 00-12664

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Description
An excellent method for string classroom instruction, the Etling String Class Method provides teachers with a flexible format that can be customized to suit a class of any size or ability. Daily drills, solos, intonation, bow stroke, counting, rhythm and hand position are emphasized and can be taught before, after, or along with note reading.

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Additional Details
Publisher: Alfred Music
Page Count: 48
UPC: 038081088174
SKU: 00-12664
Instrumentation: Teacher's Manual

More about this title

About the Author: Forest Etling

Forest Etling developed a method for string instruction that prioritizes practical classroom management alongside musical fundamentals. His approach reflects decades of experience teaching strings in group settings, where flexibility and clear sequencing matter as much as musical content.

Why we love this

This manual cuts through the noise by separating foundational skills from note reading, letting you build bow control and intonation while students are still learning the fingerboard. The modular structure means you're not locked into a single pacing or sequence—you can address your class's actual needs without abandoning the method.

What to expect

Steady, deliberate, and grounded in the real work of string playing. The method emphasizes fundamentals without sentiment, treating intonation and bow stroke as concrete skills you drill and refine rather than abstract ideals.

Who it's for

String teachers managing classes of mixed ages or abilities who need a method that doesn't force linear progression. This manual works equally well for full orchestras, sectional classes, or mixed-level ensembles where students arrive with different entry points.

How to get the most out of it

  • Start with the daily drills before tackling full exercises; they build muscle memory and consistency without overwhelming early students.
  • Integrate intonation checks into every rehearsal unit rather than treating them as separate work; students internalize better when ear training runs parallel to technique.
  • Use hand position exercises from the manual as a diagnostic tool; sloppy position work shows up immediately in bow control and tone production.

How to use it

Use this as your core curriculum throughout the first year, cycling through the drills and solos in whatever order serves your students' development. The daily structure makes it ideal for schools that want consistent, measurable progress without fussy supplementation.

Skills your students will build

  • Bow control and consistency across the hair
  • Left-hand position and frame stability
  • Intonation awareness and listening accuracy
  • Counting and rhythm pattern recognition
  • Finger independence and spacing on the fingerboard

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