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Essential Keyboard Repertoire, Volume 3 (Sonatinas): Piano Book & CD

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Essential Keyboard Repertoire, Volume 3 (Sonatinas) Cover Image

Essential Keyboard Repertoire, Volume 3 (Sonatinas): Piano Book & CD

16 Early / Late Intermediate Sonatinas in Their Original Form---Classical to Modern

Ed. Martha Hilley and Lynn Freeman Olson / perf. Kim O'Reilly

Level: Early Intermediate / Late Intermediate

Item: 00-16776

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Description
This 152-page collection of 16 early- to late-intermediate sonatinas compiled by Lynn Freeman Olson and edited by Martha Hilley includes works by Haydn, Clementi, Diabelli, Kuhlau, Gurlitt and Bartók. With a helpful introduction that contains practice suggestions, this edition effectively guides students through the important elements of the sonatina, including rapid finger work, varying tempo and the understanding of music construction. Included is a compact disc featuring performances by Kim O'Reilly Newman, who holds a Master of Music degree from the University of Illinois. She has performed throughout North America and Europe with the Hambro Quartet of Pianos and was an editor and recording pianist for Alfred Music. Kim is a brain tumor survivor and now specializes in performing music for the left hand.

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Sonatina In D, Op

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Additional Details
Series: Alfred Masterwork Edition: Essential Keyboard Repertoire
Publisher: Alfred Music
Page Count: 152
ISBN10: 0-7390-0548-0
ISBN13: 978-0-7390-0548-4
UPC: 038081149356
SKU: 00-16776

More about this title

About the Artist: Kim O'Reilly

Kim O'Reilly is a pianist and recording artist who holds a Master of Music degree from the University of Illinois. She has performed extensively throughout North America and Europe, including as a member of the Hambro Quartet of Pianos, and served as an editor and recording pianist for Alfred Music.

Beyond her performance and recording work, O'Reilly has become an advocate for expanding the piano repertoire available to pianists with physical limitations. She specializes in performing and recording music composed for the left hand, bringing both technical mastery and deep musical understanding to repertoire that might otherwise remain underrepresented in educational contexts.

Why we love this

This collection pairs carefully selected sonatinas with authoritative recorded performances that illuminate the formal architecture of each work. Hearing how a skilled pianist shapes phrasing, handles tempo transitions, and articulates rapid passagework gives students a sonic roadmap they can internalize during practice. The inclusion of both Baroque-influenced writing (Haydn, Clementi) and 20th-century approaches (Bartók) expands students' stylistic vocabulary within a single focused volume.

What to expect

These sonatinas strike a balance between accessibility and musical substance. You'll encounter the clarity and elegant phrasing of Classical form, moments of genuine virtuosity in the figuration and hand work, and the satisfaction of understanding how a piece holds together across multiple contrasting sections. The 20th-century works bring unexpected harmonic color and rhythmic sophistication to the traditional sonatina blueprint.

Who it's for

This book serves intermediate pianists (ages 12 and up) who are ready to explore multi-movement forms and understand how composers organize material across sections and contrasting themes. It works equally well for private students building toward high school auditions or conservatory entrance exams, and for ensemble pianists who need reliable sonatina literature for recitals.

How to get the most out of it

  • Study the introduction before diving into individual sonatinas. Olson's practice suggestions provide specific strategies for navigating the formal conventions that recur across the collection, saving practice time and deepening understanding of sonatina structure.
  • Listen to a complete recorded performance without the score first. This trains your ear to recognize the overall arc and formal sections before you begin detailed technical work on individual passages.
  • Isolate the rapid finger work passages and practice them at a tempo where you can execute clean articulation and even tone, then gradually increase speed. Many of these sonatinas demand facility without sacrificing clarity.
  • Pay attention to the varying tempos within each sonatina, particularly at the transitions between sections. Recording a practice run and listening back helps ensure you're making the tempo changes musically rather than mechanically.

How to use it

Feature individual sonatinas on student recitals as standalone pieces or paired with other repertoire from the same era. The range of composers and styles makes it easy to build a coherent program that showcases different aspects of early- to late-intermediate technique. For students preparing for festival competitions or auditions, this collection provides high-quality, performance-ready sonatinas at exactly the right difficulty level.

Skills your students will build

  • Understanding sonatina form (exposition, development, recapitulation) across multiple works
  • Rapid scalar and figurative passagework with clarity and even tone
  • Tempo flexibility and expressive phrasing within Classical and early Romantic idioms
  • Stylistic contrast between 18th-century, Romantic, and 20th-century compositional approaches
  • Two-hand coordination in longer multi-movement pieces
  • Interpretation guided by recorded model performances

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