Essential Keyboard Duets, Volume 6 Cover Image

Essential Keyboard Duets, Volume 6: Piano Duet (1 Piano, 4 Hands) Comb Bound Book

$19.99 USD
Sale price  $19.99 USD Regular price 
Skip to product information
Essential Keyboard Duets, Volume 6 Cover Image

Essential Keyboard Duets, Volume 6: Piano Duet (1 Piano, 4 Hands) Comb Bound Book

Music by J. C. Bach, Beethoven, Brahms, Dvorák, and Mozart

Ed. Gayle Kowalchyk and E. L. Lancaster

Level: Early Advanced / Advanced

Item: 00-36434

$19.99
Shipped

One moment…

Description
This collection of piano duets (for one piano, four hands) includes the most popular Classical and Romantic repertoire and is appropriate for early advanced to advanced pianists. It includes music by J. C. Bach, Beethoven, Brahms, Dvorák, and Mozart. The primo and secondo parts are on separate pages and essential ornamentation is realized in footnotes. Both parts contain measure numbers for easy reference. Titles: Sonata in F Major, Op. 18, No. 6 (J. C. Bach) * Sonata in D Major, Op. 6 (Beethoven) * Hungarian Dances in G Minor, F Major, F Minor, and F-sharp Minor (Brahms) * Waltzes, Op. 39, Nos. 1, 2, 11, 14, and 15 (Brahms) * Slavonic Dances, Op. 46, Nos. 2 and 8 (Dvorák) * Sonata in D Major, K. 381 (Mozart) * Sonata in B-flat Major, K. 385 (Mozart). The comb binding creates a lay-flat book that is perfect for study and performance.

Essential Keyboard Duets, Volume 6: Piano Duet (1 Piano, 4 Hands) Comb Bound Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Alfred Masterwork Edition: Essential Keyboard Repertoire
Publisher: Alfred Music
Page Count: 170
ISBN10: 0-7390-7408-3
ISBN13: 978-0-7390-7408-4
UPC: 038081403465
SKU: 00-36434

More about this title

Why we love this

The repertoire spans from Bach's elegant counterpoint through the Romantic era's most pianistic writing, giving advanced students authentic masterworks rather than simplified arrangements. Separating primo and secondo on different pages eliminates page-turning conflicts and makes rehearsal seamless, while the comb binding lies completely flat for uninterrupted practice and performance. This is the collection serious piano teams turn to when they want repertoire that sounds substantial and plays beautifully.

What to expect

These pieces span intimate salon settings and grand concert halls. Bach's sonata gleams with clarity and control; Beethoven's dramatic energy builds across phrases; Brahms brings lyrical warmth alongside rhythmic vitality; Mozart's dialogue between parts feels like a musical conversation. Dvorák and Brahms add folk inflections and dance rhythms that make the music breathe.

Who it's for

Advanced and early advanced pianists who want to perform substantial four-hand repertoire drawn directly from the Classical and Romantic canon. This collection serves pianists preparing for recitals, competitions, or collaborative performances who need authentic major works, not classroom arrangements.

How to get the most out of it

  • Study the realized ornamentation in the footnotes before rehearsal; these clarifications prevent interpretive misalignment between parts and ground both pianists in the composer's intent.
  • Balance the dialogue between primo and secondo by identifying who carries the primary melodic line in each passage, then adjust dynamics to clarify the architecture rather than playing both parts equally.
  • Use the measure numbers printed in both parts to synchronize efficiently during rehearsals; mark any tricky entrances or tempo shifts that need special attention before you meet.

How to use it

Feature a complete Mozart sonata or Brahms waltz suite as the centerpiece of a four-hand recital, anchoring a program around early Romantic chamber music. You might also program a single Brahms Hungarian Dance or Slavonic Dance as an encore or transition piece between larger solo works, letting the audience hear different collaborative voices in the same concert.

Skills your students will build

  • Balancing independent left-hand figuration in one part while playing melody in another
  • Maintaining ensemble rhythmic precision across syncopation and rubato
  • Reading and interpreting standard Classical and Romantic ornaments
  • Coordinating pedal use between two players to control resonance and clarity
  • Ensemble listening and dynamic shaping in multi-line textures

You May Also Like