Es bij' puika, man bij' vara (I was a Boy, I had Power!) (Male Choir) Cover Image

Es bij' puika, man bij' vara (I was a Boy, I had Power!) (Male Choir): Male Voices (TTBB)

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Es bij' puika, man bij' vara (I was a Boy, I had Power!) (Male Choir) Cover Image
Es bij' puika, man bij' vara (I was a Boy, I had Power!) (Male Choir): Male Voices (TTBB)

Es bij' puika, man bij' vara (I was a Boy, I had Power!) (Male Choir): Male Voices (TTBB)

By Laura Jekabsone

Item: 98-MB4092
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Description
Latvian folksong arrangement for Tenor solo and male voices from one of Latvia's leading female composers, Laura Jekabsone. Full of wit, great rhythmic energy and contrasts. A wonderful addition to the repertoire.

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Additional Details
Publisher: Musica Baltica
Page Count: 8
ISBN10: 0-26-503630-5
ISBN13: 979-0-2650-3630-2
UPC: 0
SKU: 98-MB4092
Instrumentation: Tenor Solo, TTBB

More about this title

About the Composer: Laura Jekabsone

Laura Jekabsone stands among Latvia's most performed contemporary composers, with a catalog spanning orchestral, chamber, vocal, and choral works. Her arrangements of traditional Latvian material are marked by keen sensitivity to textural color and rhythmic vitality, drawing audiences into the specificity of Baltic musical culture without sacrificing accessibility.

Why we love this

Jekabsone captures something essential about the folk material here: youthful exuberance paired with wry humor. The arrangement sits perfectly for a male choir that wants repertoire with real character and punch, neither precious nor overly arranged. The tenor solo line cuts through with clarity while the lower voices anchor the rhythmic drive, making this a piece that sounds substantive without technical obstacles.

What to expect

Spirited and reflective by turns, this arrangement celebrates youth and vitality with a knowing wink. The music moves with rhythmic momentum and playful textural shifts, grounded by harmonic language that feels both rooted in tradition and distinctly modern.

Who it's for

Male choirs seeking contemporary repertoire that honors folk tradition while offering energetic, character-driven performance opportunities. The piece works equally well for university or community ensembles with solid musicianship but no special vocal requirements.

How to get the most out of it

  • Establish the rhythmic energy early in rehearsal by isolating the percussion-like attacks in the TTBB sections; this piece thrives on precision and snap rather than legit vocal tone.
  • Shape the tenor solo as a conversational voice. This is storytelling, not exhibition, so encourage phrasing that sits naturally over the harmonic support beneath.
  • Exploit the dynamic contrasts Jekabsone has written; sudden shifts in volume and texture create the wit the piece demands and keep audiences engaged throughout.

How to use it

Program this as a centerpiece for a concert section devoted to Northern European or contemporary choral repertoire. Its wit and energy pair well alongside other arranged folk material or contemporary secular works, and it provides welcome contrast if surrounded by more introspective pieces.

Skills your students will build

  • Rhythmic precision and articulation in ensemble contexts
  • Balancing solo line with harmonic support
  • Dynamic control across a range of contrasting textures
  • Interpretation of contemporary arrangements of traditional material

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