Equus Cover Image

Equus: Concert Band Conductor Score

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Equus Cover Image

Equus: Concert Band Conductor Score

By Erik Morales

Grade: 1

Item: 98-B1227S

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Description
Equus, Latin for "horse," takes us on a thrilling ride on one of these magnificent animals. Wood blocks help create the sound of the horse as the ensemble comes along for the ride. A serene section at the same tempo almost seems to slow the ride down, so listeners can take the time to appreciate the scenery around them. The opening material then returns as the piece comes to a strong conclusion.

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Additional Details
Series: FJH Beginning Band
Publisher: The FJH Music Company, Inc.
UPC: 241444472866
SKU: 98-B1227S

More about this title

About the Composer: Erik Morales

Erik Morales

Erik Morales has spent his career bridging the gap between artistic integrity and practical classroom needs. Since his first arranging gig for a high school marching band in 1985, he has built a catalog of over 150 works across wind, orchestral, jazz, and chamber settings, all marked by his distinctive melodic sensibility. His formal training at Florida International University and the University of Louisiana, Lafayette (1989) gave him the foundation to become one of the most prolific voices in educational music publishing.

As a trumpeter first, Morales has made particular impact on the trumpet repertoire, with works that have earned recognition at the National Trumpet Competitions and premiered at the International Trumpet Guild conference. His compositions balance accessibility with musical substance, a principle that earned him induction into the Louisiana Association for Jazz Education's Hall of Fame in 2016. Schools and organizations across the country continue to commission new works from him, a testament to his deep understanding of what makes music work in rehearsal rooms.

Why we love this

Equus delivers an immediate win for Grade 1 bands: it tells a story your students can hear and feel from the first measure, building confidence without sacrificing musical integrity. The clever use of wood blocks to mimic hoofbeats grounds the imagery in something concrete your players can produce, and the architectural shift to the serene section gives you a genuine contrast to work with rather than a simple tempo change. It's the kind of piece that gets audiences leaning forward and students proud of what they've accomplished.

What to expect

The opening charges forward with infectious energy, the wood blocks chattering like galloping hooves beneath bright melodic lines. The middle section pulls back the reins, inviting the listener to notice details and textures before the excitement returns and builds to a satisfying finish. It's program music that sounds natural to play, not contrived.

Who it's for

Grade 1 concert bands looking for repertoire with narrative appeal and genuine contrast. This piece works equally well for first-year students building foundational skills and for more experienced beginners who can handle the interpretive demands of the quieter section.

How to get the most out of it

  • Establish a steady, energetic pulse for the opening section; the wood block parts anchor the ensemble, so lock them in with your percussionists before layering in the melodic content.
  • Shape the transition into the serene section by bringing back the opening material with slightly more dynamic weight, creating a sense of return rather than repetition.
  • Balance the wood block texture so it colors the melody without overwhelming it; these sound effects work best when they feel like a natural part of the orchestration.

How to use it

Open a concert with this piece to set an energetic, accessible tone that draws the audience in immediately. Its programmatic clarity makes it an excellent educational moment within a concert, or pair it with other nature-inspired works to create a thematic set. It's also a solid festival selection for bands developing their interpretive range beyond straight-ahead march-style literature.

Skills your students will build

  • Maintaining steady pulse during sectional, rhythmic accompaniment patterns
  • Balancing melodic content against rhythmic texture
  • Responding to dynamic and tempo subtlety at an early level
  • Ensemble coordination with visual and aural cues
  • Reading straightforward concert band instrumentation with clear voice leading

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