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Ensembles for Viola, Volume 2: Viola Book

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Ensembles for Viola, Volume 2 Cover Image

Ensembles for Viola, Volume 2: Viola Book

By Elizabeth Stuen-Walker

Item: 00-0412S

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Description
Viola Ensembles present duets in both viola-violin and viola-viola formats to anticipate a range of performance needs and abilities. Volumes 1 and 2 are comprised of pieces from the first and second volumes of the Suzuki Viola and Violin Schools and scored with both melody and harmony parts. Volume 2 contents are: Chorus from Judas Maccabaeus (G. F. Handel) * Musette, Gavotte II or the Musette from English Suite III in G Minor for Klavier, BWV 808 (J. S. Bach) * Bourrée from Sonata in F Major for Oboe and Basso Continuo, HHA IV/18, No. 8-EZ (J. S. Bach) * Minuet in G, Wo0, No. 2 (L. van Beethoven) * Gavotte (P. Martini) * Minuet No. 2, Minuet, BWV Anh. II 116 from Notebook for Anna Magdalena Bach (J. S. Bach). A Federation Festivals 2020-2024 selection.

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Additional Details
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7579-2494-8
ISBN13: 978-0-7579-2494-1
UPC: 654979185918
SKU: 00-0412S

More about this title

About the Arranger: Elizabeth Stuen-Walker

Elizabeth Stuen-Walker has established herself as a thoughtful arranger within the Suzuki string pedagogy community, with a particular gift for adapting baroque and classical works into accessible ensemble formats. Her arrangements prioritize musical integrity while meeting students at their technical level, making her a trusted voice for teachers building ensemble programs from Suzuki core repertoire.

Why we love this

This collection strips away the intimidation of ensemble playing by pairing violas with violins or other violas in carefully chosen Baroque and Classical works. The dual-format approach means you're not locked into waiting for a violin partner; you can rehearse these duets in multiple configurations, which is a practical gift for studio teachers managing students at different progress points.

What to expect

Elegant and unhurried. These Baroque and early Classical dances and choruses move with courtly grace, giving young violists room to develop phrasing and line without technical overwhelm. The music breathes the refinement of Bach, Handel, and Martini, which younger students don't often encounter in duet form.

Who it's for

Viola students in the Suzuki curriculum (roughly volumes 1-2 level) who are ready to play with ensemble partners but may not have reliable access to violinists. This book also serves teachers looking for duet material that stays within the core Suzuki repertoire their students already know.

How to get the most out of it

  • Balance the melody and harmony parts by ear in rehearsal rather than assuming the upper part carries; many of these pieces benefit from a conversational weight between voices.
  • Mark your entrance cues clearly, especially where one part rests while the other carries the line, so neither player loses their place during repeats.
  • Work bow coordination early; when both violas or viola and violin move in parallel sixths or thirds, matching bow direction creates a unified sound.

How to use it

Pair these duets with solo Suzuki repertoire on a studio recital or group class performance; they give students a taste of ensemble sound without requiring a full chamber ensemble. They also work well as a bridge into Suzuki violin/viola duo repertoire for motivated intermediate players.

Skills your students will build

  • Listening and blending with a partner
  • Playing both melody and harmony parts with equal musicality
  • Tracking two independent lines while maintaining ensemble cohesion
  • Reading duet scores and anticipating partner entrances
  • Baroque articulation and phrasing conventions

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