English Madrigal Suite Cover Image

English Madrigal Suite: Brass Quartet Score & Parts

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English Madrigal Suite Cover Image

English Madrigal Suite: Brass Quartet Score & Parts

Arr. Don Sweete

Level: Medium-Difficult

Item: 81-BQ4973

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Description
As the title would suggest, Don Sweete has selected pieces from English composers such as John Farmer, Robert Morley and John Wilbye to include in this Suite. The works found within this collection are: A Pretty Bonny Lass, Adieu Sweet Amaryllis, Sometime She Would, April is in my Mistress' Face, and Amyntas with His Phyllis Fair. All the parts are interesting and none is too difficult. English Madrigal Suite is a great collection of famous madrigals for brass quartet.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-327-2
ISBN13: 978-1-55472-327-0
UPC: 685462003198
SKU: 81-BQ4973
Instrumentation: Brass Quartet

More about this title

Why we love this

Don Sweete's arrangements preserve the vocal character and contrapuntal elegance of these madrigals while writing idiomatically for brass. Each part carries genuine melodic interest, so no player is relegated to accompaniment work. The suite strikes that rare balance of sounding cultivated without demanding virtuosic display.

What to expect

Intimate and conversational, with the polished restraint of the English Renaissance courtly tradition. The melodies are singable and direct; the harmonies settle comfortably in the ear. There's a lightness here, a sense of gentlemen musicians gathered to make artful music without pretense.

Who it's for

Brass quartets seeking repertoire that sounds sophisticated without requiring extreme technical demands. This suite works for college and advanced high school ensembles preparing for festivals or recitals. Players interested in Renaissance music will find genuine musical substance here, not shallow novelty arrangements.

How to get the most out of it

  • Shape phrases as singers would, using dynamic swells and subtle accelerandos rather than rigid, metronomic phrasing.
  • Balance the inner voices (horn and second trumpet) with precision; these lines often drive the harmonic movement and shouldn't disappear.
  • Approach articulation with period awareness. Light tonguing and clean releases will preserve the madrigal's character better than heavy marcato.
  • Rehearse each movement separately before programming them as a suite; the stylistic demands shift across the five pieces.

How to use it

Program this suite as a self-contained concert segment or as a bridge between modern works and classical repertoire. The five contrasting pieces allow you to open with spirited character, settle into lyrical sections, and maintain audience engagement without demanding a full evening of heavy brass writing.

Skills your students will build

  • Reading Renaissance harmonic language and voice leading
  • Balancing melodic lines in a four-voice texture
  • Shaping phrases with subtle dynamic and tempo inflection
  • Coordinating articulation and phrasing across distributed melody and accompaniment roles
  • Performing stylistically within a specific historical period

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