Engelberg Variations Cover Image

Engelberg Variations: Concert Band Conductor Score

$7.00 USD
Sale price  $7.00 USD Regular price 
Skip to product information
Engelberg Variations Cover Image

Engelberg Variations: Concert Band Conductor Score

By William G. Harbinson

Grade: 4 (Medium Difficult)

Item: 00-18820S

$7.00
Shipped

One moment…

Description
Engelberg Variations was composed for the Hibriten High School Band in Lenoir, North Carolina and is based on the hymn, "When In Our Music God Is Glorified." It opens with a flourish of activity from the brass and percussion. This gives way to the statement of the theme set in a lovely woodwind chorale featuring flutes and oboes. A lyrical trumpet solo takes the band to a soaring tutti statement of the theme which gets interrupted by a percussion-filled staccato variation. Fragments of the theme are then heard in fun variations juxtaposed against the original theme in augmentation. Engelberg Variations is destined to become a classic!

Engelberg Variations: Concert Band Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Alfred Concert Band
Publisher: Alfred Music
Page Count: 32
UPC: 038081174891
SKU: 00-18820S

More about this title

Why we love this

Harbinson crafts a work that respects the sacred source material while giving your band genuine musical architecture to build. The piece balances accessibility with interest, moving from bold brass gestures into lyrical woodwind writing and a soaring trumpet solo that will engage your best players without leaving the section behind.

What to expect

Engelberg Variations unfolds like a journey through different facets of the hymn tune. It begins with exuberance, softens into reflection, swells into affirmation, then playfully fragments the melody across the ensemble. The progression feels both purposeful and joyful, building momentum toward a satisfying conclusion.

Who it's for

Conductors building a Grade 4 program with substance. Your band will navigate contrasting textures, expose individual sections through featured moments, and engage with hymn-based material that carries musical and spiritual weight without requiring advanced technical demands.

How to get the most out of it

  • Balance the opening brass and percussion flourish carefully; the excitement should establish the energy without burying the ensemble. Let those initial gestures speak clearly so the shift to the woodwind chorale lands with its intended contrast.
  • Shape the woodwind chorale as a genuine moment of repose. Your flutes and oboes will need vibrant tone and phrase control to make this the emotional center the piece promises.
  • Highlight the lyrical trumpet solo with a soloist who can sustain a singing line. Support with warm, resonant accompaniment from the rest of the band so the solo rises naturally from the texture rather than appearing isolated.
  • The staccato variation requires crisp articulation and rhythmic precision across the full ensemble. This section earns its contrast through clarity and energy, not volume.

How to use it

This works beautifully as an opener or closer for a concert built around sacred or thematic programming. Its Grade 4 difficulty makes it a confident choice when you need a substantial feature piece that doesn't require the technical demands of the highest-level repertoire, and the hymn foundation connects naturally with seasonal or ceremonial programs.

Skills your students will build

  • Balancing contrasting textures (brass/percussion versus woodwind chorale)
  • Supporting featured soloists with accompaniment sensitivity
  • Articulating staccato passages with rhythmic precision across sections
  • Recognizing and executing theme variations and augmentation
  • Sustaining melodic integrity across ensemble restatements

You May Also Like