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Energy!: Flexible Band/String Ensemble Score & Parts

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Energy! Cover Image

Energy!: Flexible Band/String Ensemble Score & Parts

By Adrian B. Sims

Grade: 2.5

Item: 98-B1835

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Description
Like its title implies, this highly aggressive work is based on a combination of invigorating melodies and a relentless rhythmic drive. Musical lines weave throughout the ensemble, soaring countermelodies take center stage, and an increasingly intense final passage takes the piece to an entirely new level. Simply put, this one is full of energy!

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Additional Details
Series: The ReImagine Initiative
Publisher: The FJH Music Company, Inc.
UPC: 241444429464
SKU: 98-B1835
Instrumentation: 4-Part Fully Adaptable with Percussion

More about this title

About the Composer: Adrian B. Sims

Adrian B. Sims

Adrian B. Sims (b. 2000) grew up in Seattle before moving to Maryland, where he studied trombone and composition under mentors including Dr. Robert Gibson at the University of Maryland and world-renowned composer Brian Balmages. His work has earned recognition at The Midwest Band and Orchestra Clinic, secured spots on the Bandworld Top 100 List, and won awards through the Maryland Music Educators Association Young Composers Project and Make Music Young Composers Contest.

A trombonist himself, Sims performs in top ensembles at the University of Maryland while pursuing dual degrees in Music Education and Composition. He studies with Matthew Guilford, principal bass trombonist with the National Symphony Orchestra, and has performed alongside the Baltimore Symphony Orchestra and in pit orchestras, jazz bands, and concert ensembles throughout Maryland.

Why we love this

Sims writes with genuine understanding of what makes young musicians engaged. The countermelodies and shifting lines keep all parts melodically interesting rather than relegating anyone to accompaniment, while the flexible instrumentation means you're not scrambling if you're short woodwinds or strings on any given day.

What to expect

Unstoppable momentum wrapped in bright, soaring melodies. The piece never settles into neutral territory; something is always driving forward, whether through pulsing rhythms underneath or a countermelody climbing over the top. By the final section, the accumulated intensity feels earned rather than imposed.

Who it's for

Directors working with developing ensembles (Grade 2.5 level) who want repertoire with personality and musical substance. This suits festivals and contests equally well, and it's especially valuable if your group thrives on pieces with propulsive energy rather than introspection.

How to get the most out of it

  • Anchor the rhythmic drive in your percussion section; once that foundation locks, the ensemble's energy multiplies.
  • Shape the countermelodies as conversations between sections rather than competitive lines. They'll blend more naturally and the weaving effect will emerge.
  • Give the final passage extra rehearsal time. The intensity builds through gradual dynamics and texture, not sudden jumps, so precision in the build-up matters.

How to use it

Open a concert with this if you want immediate attention and energy, or place it mid-program as a palette cleanser that lifts the room after something lyrical. It's also strong in a festival setting where you want judges to remember your ensemble's precision and musicality.

Skills your students will build

  • Articulation control in fast, rhythmically driven passages
  • Following countermelodies while maintaining harmonic awareness
  • Dynamic shaping across building sections
  • Ensemble flexibility and quick instrument swaps within the 4-part adaptable framework

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