Enchanted Lake, The, Op. 62 Cover Image

Enchanted Lake, The, Op. 62: Full Orchestra, Conductor Score

$15.00 USD
$15.00 USD
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Enchanted Lake, The, Op. 62 Cover Image
Enchanted Lake, The, Op. 62: Full Orchestra, Conductor Score

Enchanted Lake, The, Op. 62: Full Orchestra, Conductor Score

By Anatoly Lyadov

Item: 36-A163201
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Enchanted Lake, The, Op. 62: Full Orchestra, Conductor Score & Parts

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Description
THE ENCHANTED LAKE, Op. 62 is a tone poem by Anatoly Lyadov (1855-1914). Subtitled "fairy tale scene", it is probably his most celebrated work due to its delicate scoring and evocative tranquility. Scholars have suggested that it borrows some material from his unfinished opera ZORYUSHKA. The first performance took place on February 21, 1909 in St. Petersburg under the direction of Nikolai Tcherepnin, to whom Lyadov had dedicated it. Instrumentation: 3.2.3.2: 4.0.0.0: Timp. Perc(1): Hp.Clst: Str (9.8.7.6.5 in set).

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN13: 979-8-895634-29-5
UPC: 612735686154
SKU: 36-A163201
Instrumentation: 3.2.3.2: 4.0.0.0: Timp. Perc(1): Hp.Clst: Str (9.8.7.6.5 in set)

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About the Composer: Anatoly Lyadov

Anatoly Lyadov (1855-1914) was a Russian composer and conductor whose orchestral miniatures became hallmarks of late Romantic instrumental music. Though he composed relatively little and rarely conducted outside Russia, his meticulous approach to orchestration and his gift for creating atmospheric tone poems earned him deep respect among his contemporaries, including Rimsky-Korsakov, with whom he studied.

Lyadov's strength lay in distilling profound emotional and narrative content into compact forms. His orchestral works demonstrate a mastery of color and restraint that influenced the next generation of Russian composers. He spent most of his career in St. Petersburg, where he taught at the Conservatory and remained a vital figure in Russia's musical life until his death.

Why we love this

The Enchanted Lake rewards careful conducting and disciplined orchestral balance in ways that few works at this level do. The piece's reputation for delicate scoring is fully earned; every instrumental gesture matters, and young orchestras discover quickly that precision and restraint produce far more effect than volume. Programming it alongside larger Romantic works gives your ensemble a chance to demonstrate musical maturity.

What to expect

The Enchanted Lake unfolds like a daydream of shimmering water and distant magic. The orchestration glimmers with harp and celesta against delicate woodwind and string writing, creating an atmosphere of hushed wonder that feels suspended outside time. The mood is contemplative and ethereal, never dramatic, with an undercurrent of mystery that keeps the listener quietly alert.

Who it's for

Advanced high school orchestras and college ensembles capable of maintaining intonation and ensemble focus through long, lyrical lines. This score demands maturity from every section, particularly the strings, and rewards orchestras committed to transparency and textural clarity.

How to get the most out of it

  • Pay close attention to the harp and celesta parts; they carry essential harmonic and textural weight and must stay transparent even when the orchestra surrounds them. Underbalance the brass and woodwinds slightly to allow these colors to emerge.
  • Shape phrases through dynamics and articulation rather than tempo changes. The work's tranquility depends on a steady, unhurried forward motion with minimal rubato.
  • Ensure the string section plays with a unified, warm vibrato in the sustained passages; uneven vibrato will fragment the tonal blend that defines this piece's character.

How to use it

Open a concert with this work to set a poetic, introspective tone before moving to weightier repertoire, or place it as a bridge between two larger works to provide textural and dynamic contrast. Its brevity and refined character make it ideal for programs exploring Russian orchestral color or chamber orchestra aesthetics.

Skills your students will build

  • Conducting sustained legato lines and long-term phrase architecture
  • Balancing diverse timbres (harp, celesta, woodwinds, strings) within a transparent ensemble texture
  • Achieving intonation accuracy in slow, exposed harmonic writing
  • Distinguishing and shaping secondary melodic lines obscured within full orchestration

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