Embraceable You Sheet Music Preview

Embraceable You: SAB Choral Octavo

By George Gershwin and Ira Gershwin / arr. Carl Strommen

Level: Moderate

Item: 00-PO-0005450

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Description
Carl's arrangement of this Gershwin goldie is simply stunning. The vocals are lush and lovely. The accompaniment is simple yet supportive. A must for your library!

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Additional Details
Series: Alfred Archive Edition: Pop Choral Series
Publisher: Alfred Music
Page Count: 8
SKU: 00-PO-0005450

More about this title

About the Composer: George Gershwin

George Gershwin (1898-1937) bridged classical music and American popular song with unmatched sophistication. His melodies became the soundtrack to the Jazz Age, and his harmonic language opened doors between concert hall and Broadway that remain wide open today.

Why we love this

Strommen's arrangement captures the warmth and elegance of Gershwin's original without demanding extensive rehearsal time. The SAB voicing makes this accessible to developing choirs while the lush harmonic writing keeps experienced singers engaged. It's a showpiece that builds confidence in any ensemble.

What to expect

Warm and intimate, like sharing a confession over a quiet moment. The writing breathes with the natural phrasing of speech, and the harmonic progressions have that distinctly Gershwin quality of being both familiar and sophisticated. Singers often feel a genuine emotional connection to this music.

Who it's for

This arrangement works beautifully for developing SAB choirs that have solid ensemble blend and basic part independence. It's equally valuable for more experienced groups looking for a classic that rehearses efficiently and programs well in concert or competition settings.

How to get the most out of it

  • Shape the melody phrase by phrase rather than bar by bar. Let the singers breathe at logical points in the song's arc, even when the notation doesn't require it.
  • Balance the inner voices carefully during the harmonic sections. The arrangement's beauty depends on hearing the supporting parts, not just the top line.
  • Work the accompaniment independently before combining it with voices. A secure, responsive piano part gives your singers the harmonic and rhythmic foundation they need to settle into the lyrical style.
  • Treat the text with genuine affection. This song works when singers understand they're expressing real emotion, not just displaying technique.

How to use it

Program this as a centerpiece of a pops or standards-focused concert, or use it as an elegant transition between more energetic pieces. It also works well as a showcase for your intermediate choirs during festival appearances or community performances where audience recognition matters.

Skills your students will build

  • Singing legato lines with proper breath support and phrase shaping
  • Blending three distinct voice parts while maintaining clarity of individual lines
  • Interpreting jazz-influenced harmony and understanding voice leading in extended chords
  • Responding to accompaniment cues and maintaining ensemble cohesion with piano
  • Connecting text to musical intent and sustaining emotional expression across a complete song

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