Embraceable You Sheet Music Preview

Embraceable You: SATB, a cappella Choral Octavo

By George Gershwin and Ira Gershwin / arr. Teena Chinn

Item: 00-PO-0005445

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Description
"It is very accessible to all singers, especially to high school vocal jazz ensembles, and would be a great standard piece to any concert."
- Laura Inman, Assoc. Faculty, Arizona State University for Antiphon, Arizona American Choral Directors Association

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Additional Details
Series: Alfred Archive Edition: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 8
SKU: 00-PO-0005445

More about this title

About the Composer: George Gershwin

George Gershwin (1898-1937) bridged classical composition and popular music with a fluency few composers achieved. His rhythmic innovation, harmonic sophistication, and gift for melody made him central to American musical identity in the early 20th century. In the classroom and rehearsal, his songs remain pedagogically valuable because they demand musicality without requiring advanced technique.

Ira Gershwin (1896-1983) was George's lyricist and creative partner. His words paired perfectly with George's melodies, creating standards that have outlasted their original contexts. For choral directors, the Gershwin brothers represent a repertoire that connects students to American musical heritage while keeping performances fresh and engaging.

Why we love this

Teena Chinn's arrangement captures the song's signature warmth while keeping the voicing transparent enough for developing singers. The a cappella texture removes any barrier between the voices and the audience, making this standard feel both intimate and joyful. High school jazz ensembles and traditional choral programs will find it equally rewarding.

What to expect

The song wraps affection and gentle humor around a memorable melody. Singers experience the warmth of close harmonies and the satisfaction of locking into Gershwin's signature rhythmic shapes, all without instrumental support to lean on.

Who it's for

High school choral singers benefit most from this arrangement, though any group comfortable with jazz-influenced harmonies and SATB voicing will find it accessible. Vocal jazz ensembles, chamber choirs, and concert groups looking for a standard that sounds polished without excessive rehearsal time should consider it.

How to get the most out of it

  • Balance the melody across voices rather than spotlighting one part; the song's character emerges from the full blend.
  • Let the harmonic movement breathe naturally through the changes; resist the urge to rush between chords.
  • Shape phrases through dynamic swells that follow the lyrical contour rather than strictly marking beat patterns.
  • Tune the close harmonies with care, especially in transitions where the chord color shifts most noticeably.

How to use it

Program this as an opener or second piece to establish a lighter tone early in a concert. It also pairs naturally with other Great American Songbook selections or works well as a showcase for your strongest vocal jazz ensemble without overwhelming the overall concert balance.

Skills your students will build

  • Voice leading within jazz harmonies
  • Harmonic tuning in close a cappella voicing
  • Phrasing and dynamic shaping in popular song style
  • Part independence in ensemble texture without instrumental anchoring

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