Ely Canticles for Trebles and Organ Cover Image

Ely Canticles for Trebles and Organ: Choral Works (inc. Oratorios)

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Ely Canticles for Trebles and Organ Cover Image

Ely Canticles for Trebles and Organ: Choral Works (inc. Oratorios)

By Ben Parry

Item: 98-EP72147

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Description

Parry sets attractive melodies to his characteristic jazz-infused harmonies, pairing a lively, imaginative Magnificat with a beautiful, reflective Nunc Dimittis. First performance in October 2010 at Ely Cathedral by the Ely Choristers with organ, conducted by the composer. Ideal for both male and female treble choristers. 7 minutes long.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 16
ISBN10: 0-57-708926-9
ISBN13: 979-0-57-708926-3
SKU: 98-EP72147

More about this title

About the Composer: Ben Parry

Ben Parry is a British composer and conductor whose work bridges traditional choral writing with contemporary harmonic language. His music for young singers demonstrates a keen understanding of treble voices, balancing technical accessibility with genuine artistic substance.

Why we love this

Parry writes for trebles without condescension. The pairing of Magnificat and Nunc Dimittis gives you a complete canticle service that showcases both the brightness and depth your singers can achieve, and his harmonic palette keeps the organ part engaging without overshadowing the voices.

What to expect

The Magnificat dances with rhythmic vitality and warmth, its melodies bright and singable over harmonies that feel contemporary without alienating traditional repertoire. The Nunc Dimittis pivots into introspection, offering space for reflection and emotional maturity from your singers.

Who it's for

Cathedral and collegiate treble choirs looking for sophisticated canticle settings that engage young singers musically. Male or female treble sections will find the writing idiomatically comfortable while the harmonic language challenges them to grow.

How to get the most out of it

  • Clarify the rhythmic profile of the Magnificat early in rehearsal; the jazz-influenced harmonies can blur ensemble precision if articulation isn't tight.
  • Balance the organ's role as both accompanimental support and independent voice, particularly in the Nunc Dimittis where reflection requires transparency.
  • Encourage singers to listen through the harmonies rather than landing on root positions; this unfamiliar harmonic language improves intonation when approached with active ears.

How to use it

Use these canticles as your Evensong or liturgical service music, or program them on a concert pairing newer choral writing with classical settings to illustrate how composers continue the English cathedral tradition. At seven minutes total, they anchor a recital without consuming excessive rehearsal time.

Skills your students will build

  • Reading and performing contemporary harmonic language
  • Sustaining vocal line independence across jazz-influenced chord progressions
  • Distinguishing between lively and reflective musical character within a single work
  • Blending with organ accompaniment while maintaining treble voice clarity

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