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Elementary Violin Trios: Violin Trio

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Elementary Violin Trios Cover Image

Elementary Violin Trios: Violin Trio

By Lee Burswold

Item: 36-52712464

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Description
Six original trios for violins at the easy level. Relatively equal parts in D and G are combined with 4/4, 3/4 and 6/8 meters. Titles are Prelude Suite; At The Park; Circle Dance; Rose Garden; Japanese Garden; and Autumn.

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-62-156927-6
ISBN13: 978-1-62-156927-5
UPC: 676737585198
SKU: 36-52712464
Instrumentation: Violin Trio

More about this title

Why we love this

Burswold understands what makes trio playing work at this level: balanced parts that let all three players matter, keys that sit comfortably on the violin, and meters that stay accessible without feeling remedial. Six distinct pieces means you're not recycling the same arrangement all year, and the programmatic titles give students something to visualize beyond note names.

What to expect

Each piece has a gentle, narrative quality. You move through seasons and spaces without drama or technical struggle: walking through a park, watching a garden change, listening to a prelude unfold. The mix of meters creates subtle rhythmic variety that keeps the music feeling alive rather than drilled.

Who it's for

Violin students in their first or second year of ensemble playing, typically grades 3 through 5. These trios work equally well for young beginners in a group lesson setting or for a school orchestra's developing players who need focused, manageable chamber music.

How to get the most out of it

  • Map out who leads the melody in each section before rehearsal. These pieces distribute the musical interest, so players need to recognize when they're anchoring the harmony versus carrying the line.
  • Address intonation issues in the fifths and octaves between parts early. Easy repertoire often exposes tuning problems more clearly than flashy passagework does.
  • Let students practice their individual parts at home first, then bring ears to ensemble rehearsal. Three players learning together in real time burns too much rehearsal energy.

How to use it

Slot these into a winter or spring family concert where you want accessible string music that still sounds intentional and composed. They also serve well as a standalone 10-minute chamber set or as contrasting pieces between larger ensemble numbers that demand more technical firepower.

Skills your students will build

  • Reading in D and G major with comfortable fingering positions
  • Maintaining part independence in mixed meters (4/4, 3/4, and 6/8)
  • Balance and blend in a three-part texture
  • Following harmonic function without full score awareness
  • Sustaining tone quality at moderate tempos
  • Basic ensemble listening and rhythmic alignment

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