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Elementary Cello Trios: Cello, Collections, Full Score

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Elementary Cello Trios Cover Image

Elementary Cello Trios: Cello, Collections, Full Score

By Lee Burswold

Grade: 1

Item: 36-52732501

$4.95
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Description
Six original trios for cellos at the easy level. Relatively equal parts in G and C are combined with 4/4, 3/4 and 6/8 meters. Titles are Prelude Suite; At The Park; Circle Dance; Rose Garden; Japanese Garden; and Autumn.

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-62-876768-5
ISBN13: 978-1-62-876768-1
UPC: 660355185311
SKU: 36-52732501
Instrumentation: Cello Trio

More about this title

Why we love this

Burswold gives young cellists exactly what they need: accessible writing that sounds musical without unnecessary technical barriers. The variety across six pieces means you can pick what suits your ensemble's moment, whether you need something meditative or rhythmically playful.

What to expect

Light and lyrical, with an unhurried quality. The titles suggest pastoral and natural imagery, and the music delivers on that promise with gentle melodies and supportive harmonies that never overwhelm the texture.

Who it's for

Grade 1 cellists who can handle basic positions and want to experience ensemble playing without overextending technically. These pieces work equally well for a cello group at a school or a private lesson setting where you're working with multiple students at similar levels.

How to get the most out of it

  • Balance the three parts by listening to how each line moves independently. Even when playing an accompaniment figure, maintain the same tone quality as the melody.
  • Approach the meter shifts (4/4, 3/4, and 6/8) as natural phrase breaks rather than technical hurdles. Let the character of each piece guide your feel for the meter.
  • Work through the G and C positions separately before combining parts, then gradually bring them together so intonation stays steady across the ensemble.

How to use it

String these pieces together for a short ensemble showcase at a concert, or use them as transitions between larger works. They're also strong material for demonstrating to beginning cellists what collaborative playing sounds like before tackling more complex chamber repertoire.

Skills your students will build

  • Playing in G and C positions with intonation consistency
  • Identifying and executing meter changes (4/4, 3/4, and 6/8)
  • Balancing melodic and accompaniment roles within ensemble texture
  • Sight-reading three-part voicing from a full score

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