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Elegiac Arabesques: Clarinet and Cor Anglais Score & Parts

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Elegiac Arabesques Cover Image

Elegiac Arabesques: Clarinet and Cor Anglais Score & Parts

Clarinet and Cor Anglais

By Oliver Knussen

Item: 12-0571514812

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-51481-2
ISBN13: 978-0-571-51481-6
UPC: 9780571514816
SKU: 12-0571514812
Instrumentation: Clarinet and Cor Anglais

More about this title

About the Composer: Oliver Knussen

Oliver Knussen (1952, 2018) was a British composer and conductor whose music combined rigorous modernist techniques with lyrical sensibility. His catalogue, though modest in size, demonstrates an uncompromising approach to orchestration and chamber writing; he was equally celebrated for championing new music as a conductor, particularly at the London Sinfonietta and Tanglewood.

Why we love this

Knussen's intimate chamber writing here showcases what makes his voice distinctive: harmonic sophistication married to genuine melodic grace. The pairing of clarinet and cor anglais creates a naturally mournful, introspective timbre that feels inevitable rather than contrived, giving duet players something genuinely substantial to sink their teeth into.

What to expect

A quiet, searching conversation between two instruments that know each other well. The harmonic language is modern without sounding aggressive; instead, it creates a mood of reflective melancholy tinged with occasional brightness. There's restraint and precision in every gesture.

Who it's for

Advanced clarinet and cor anglais players working in chamber ensembles, or duos seeking demanding repertoire with genuine artistic substance. This suits upper-level conservatory students and semi-professional musicians equally well.

How to get the most out of it

  • Balance the tone quality between instruments so neither dominates; the cor anglais has a reedier edge that needs conscious tuning against the clarinet's rounder core.
  • Shape phrases across the span of a complete musical idea rather than in isolated measures; Knussen's harmonic language rewards long-line thinking even in brief sections.
  • Allow silence to speak. Rest measures are structural punctuation here, not gaps to fill with nerves or adjustment noise.

How to use it

Program this on a chamber music recital where it can stand as its own statement without needing padding, or pair it with other works exploring the expressive range of woodwind sonorities. It works especially well in contexts celebrating contemporary British composition or in programs that trace lines from 20th-century modernism into concert life.

Skills your students will build

  • Reading contemporary harmonic language and chromatic voice-leading
  • Balancing two instruments of different timbral weight
  • Sustaining musical shape across sparse, minimal textures
  • Listening acutely for intonation in non-traditional harmonic contexts
  • Ensemble communication without frequent conductor intervention

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