Eine kleine Nachtmusik (Serenade in G), K. 525 (critical edition) Cover Image

Eine kleine Nachtmusik (Serenade in G), K. 525 (critical edition): String Orchestra Oversized Score

$33.00 USD
$33.00 USD
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Eine kleine Nachtmusik (Serenade in G), K. 525 (critical edition) Cover Image
Eine kleine Nachtmusik (Serenade in G), K. 525 (critical edition): String Orchestra Oversized Score

Eine kleine Nachtmusik (Serenade in G), K. 525 (critical edition): String Orchestra Oversized Score

By Wolfgang Amadeus Mozart / arr. Ernst Fritz Schmid

Item: 36-A815801OS
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Description
EINE KLEINE NACHTMUSIK (A Little Night Music, Serenade No. 13 in G Major) was written in 1787 for string quintet, although it is frequently performed as a string orchestra work. Possibly composed originally with five movements (the Menuetto and Trio appears to be lost), the special title "Eine kleine Nachtmusik" was likely not given to the work by W.A. Mozart (1756-1791) as it derived from an entry in his personal catalog, almost certainly acting as a mere record of his having completed a little serenade. The work was not published until 1827 along with a bundle of Mozart's other works sold by his widow Constanze, and no record exists of a commission or performance in Mozart's lifetime that might clear up the intent for the title. Still, the serenade remains among Mozart's most popular and recognizable works. Movements: I. Allegro, II. Romanze, III. Menuetto, and IV. Rondo. This critical edition by internationally recognized Mozart expert Ernst Fritz Schmid was released as part of the Neue Mozart Ausgabe (New Mozart Edition) project. Strings in set: 4-4-3-3-3. 11x14 score.

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Additional Details
Series: Kalmus Oversized Score Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-88-852254-9
ISBN13: 979-8-88-852254-7
UPC: 676737549046
SKU: 36-A815801OS
Instrumentation: Detailed Instrumentation: String Orchestra (4-4-3-3-3 in set)

More about this title

About the Composer: Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (1756, 1791) composed across every major genre and left a catalog of over 600 works before his death at 35. His music defined the Classical era through its structural clarity, melodic invention, and harmonic sophistication. For string players and conductors, Mozart remains essential repertoire; his writing for strings demands both technical precision and lyrical elegance, making his works ideal for developing musicianship at all levels.

Mozart's serenades and divertimenti occupy a special place in his output. Written for performance at social gatherings and court occasions, these works blend the formality of the symphony with the intimacy of chamber music. They showcase his gift for memorable melody and transparent orchestration, qualities that have kept Eine kleine Nachtmusik in the active repertoire for over two centuries.

Why we love this

This is Mozart at his most accessible without sacrificing musical substance. The four-movement structure fits concert programs naturally, and the writing sits well for student orchestras while offering enough sophistication to engage advanced ensembles. Ernst Fritz Schmid's critical edition, based on the Neue Mozart Ausgabe, gives you the musicologically sound text that's worth knowing if you work with this piece regularly.

What to expect

Conversational and elegant. The opening melody is instantly memorable and feels like a friendly greeting; the slow movement shifts to introspection without losing its grace. By the Menuetto and Rondo, the mood becomes buoyant and sociable again, ending on a note of wit and warmth.

Who it's for

Conductors and string directors at the intermediate through advanced level who want a standard text of this essential work. The Kalmus oversized format serves musicians who spend real time with the score and need clarity in rehearsal preparation.

How to get the most out of it

  • Balance the first violins against the violas and cellos in the Allegro; Mozart's texture depends on hearing all three lines clearly rather than letting the melody dominate completely.
  • Shape the Romanze as a singing line, treating it almost like a vocal romance. The ensemble needs to breathe together and follow the phrase contours rather than subdividing the beat.
  • Keep the Menuetto crisp and articulate; this is not a modern minuet, and the character should feel lighter than many string arrangements suggest.
  • In the Rondo, maintain clarity of the returning theme across sections. The piece ends with infectious momentum, so resist the temptation to slow down in the final bars.

How to use it

Open a concert with this to set a refined tone and draw the audience in immediately. Pair it with a contemporary work or Baroque suite to create an arc through musical history, or program it as the anchor of an all-Mozart evening if your string section needs repertoire that develops both ensemble discipline and musical maturity.

Skills your students will build

  • Sustaining long phrases across sectional changes
  • Balancing independent lines within a transparent texture
  • Intonation in rapid melodic passages and chordal writing
  • Responding to classical phrase structure and breathing points
  • Coordinating vibrato and articulation across a string section

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