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Eight Duos for Two Violins: 2 Violins Book

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Eight Duos for Two Violins Cover Image

Eight Duos for Two Violins: 2 Violins Book

By David Matthews

Item: 12-0571526403

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Description
Eight Duos for Two Violins by David Matthews was commissioned by Philippa Mo in 1999. The first performance was given by Philippa Parry and Peter Sheppard Skaerved at the Duetsche Museum, Munich on October 20, 2002.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-52640-3
ISBN13: 978-0-571-52640-6
UPC: 9780571526406
SKU: 12-0571526403
Instrumentation: 2 Violins

More about this title

About the Composer: David Matthews

David Matthews is a British composer whose work spans orchestral, chamber, and vocal music across several decades. His compositions are marked by craftsmanship, structural clarity, and a lyrical sensibility rooted in the English musical tradition. Matthews has been commissioned by major ensembles and performers, and his chamber works demonstrate a sophisticated understanding of instrumental writing and ensemble balance.

Why we love this

These duos occupy a rare space in the two-violin repertoire: they are substantial enough to engage advanced players while remaining genuinely musical and performable. Matthews writes for the violin with real understanding of what the instrument can do, crafting lines that sing and sit naturally under the fingers rather than exploiting technical flashiness for its own sake.

What to expect

The music unfolds with clarity and purpose, building conversations between the two instruments that feel both natural and carefully composed. There is elegance here rather than extroversion; the duos reward attentive listening and reveal their substance through repeated performance.

Who it's for

Intermediate to advanced violinists seeking substantial duet repertoire that challenges ensemble listening and collaborative musicianship. These duos work equally well in private studio settings, youth orchestra chamber programs, or preparation for competition and festival performance.

How to get the most out of it

  • Listen carefully to your partner's phrasing and tone; duet playing requires constant conversation between the two voices. Aim for blend without sacrificing your individual voice.
  • Attend to dynamic shaping within phrases. Matthews' writing often relies on subtle changes in color and volume to create form and interest, so avoid playing at a single dynamic level.
  • Balance the two parts thoughtfully. When one violin takes the principal line, the other should provide harmonic and textural support without disappearing entirely.

How to use it

Program individual duos in chamber concert settings or use the full set as a complete recital work. These pieces also serve well in competition and festival contexts, where they demonstrate musical maturity and ensemble collaboration alongside technical facility.

Skills your students will build

  • Balance and blend between two equal voices
  • Collaborative listening and phrase shaping
  • Reading and interpreting contemporary 20th-century music
  • Sustaining musical interest in duo texture without accompaniment

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