Edge of Glory: Full Orchestra Conductor Score & Parts
As performed by Lady Gaga
Words and music by Fernando Garibay, Stefani Germanotta, and Paul Blair / arr. Patrick Roszell
Grade: 3
Item: 00-PK-0005234
$59.00
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Description
Yes, Lady Gaga! This hip pop song is sure to be an over-the-top hit with both your students and audience alike! Ranking #3 on the US Billboard Hot 100, it is from Lady Gaga's second studio album, Born This Way.
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Edge of Glory: Full Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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Additional Details
Series:
Pop Intermediate Full Orchestra
Publisher:
Alfred Music
Page Count:
120
SKU:
00-PK-0005234
More about this title
About the Composer: Fernando Garibay
Fernando Garibay is a producer and composer who has shaped the sound of contemporary pop music through his work with major artists across multiple decades. His production credits span genre-defining albums and hit singles that have topped charts worldwide, bringing both technical sophistication and accessibility to pop songwriting.
Why we love this
Patrick Roszell's orchestration captures the anthemic energy of this Billboard hit while keeping the arrangement playable for developing ensembles. The full orchestra treatment gives students the thrill of performing recognizable pop repertoire at concert level, and the Grade 3 scoring ensures the piece stays engaging without overwhelming your musicians or requiring soloists.
What to expect
Soaring, confident, and intensely emotive. The orchestration swells with stadium-sized drama while remaining grounded in a propulsive pop groove. You'll hear lush string writing intertwined with rhythmic drive, creating a sound that feels both anthemic and intimate.
Who it's for
Orchestra directors seeking contemporary repertoire that engages modern students and concert audiences alike. This work suits ensembles with solid fundamentals and access to full instrumentation, and it works especially well in programs that balance classical literature with music students recognize and love.
How to get the most out of it
- Balance the melody across your violin sections; this piece benefits from a clear, soaring top line that carries the emotional arc. Rehearse with dynamic markings in mind so the builds feel organic rather than choppy.
- Lock in the rhythm section early. The groove underpins everything, so give your percussion and lower strings time to find the pocket together before layering in upper voices.
- Shape phrases as if you're singing them. Even in an orchestral arrangement, the vocal melody's phrasing should guide your interpretation; avoid metronomic phrasing that flattens the song's drama.
- Let the students hear a recording of the original before you start rehearsals. Knowing the song's emotional intent will inform their interpretation and keep them invested throughout.
How to use it
Program this as a second-half opener or finale to energize an audience expecting traditional concert fare. It pairs well with other contemporary or light classical works, and it serves as an excellent bridge between classical and pop-influenced programming. Consider pairing it with a Gershwin or Bernstein piece to connect contemporary relevance with musical history.
Skills your students will build
- Balancing melodic lines across multiple sections
- Playing with stylistic groove and rhythmic precision in a pop context
- Dynamic shaping and phrasing that serves a recognizable song structure
- Ensemble cohesion across full orchestra instrumentation
- Responding to contemporary musical language and production-influenced scoring