Easy To Love (You'd Be So Easy To Love) Sheet Music Preview

Easy To Love (You'd Be So Easy To Love): Piano Vocal

As performed by Ella Fitzgerald / As performed by Cole Porter

Item: 35-DS00009833

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Additional Details
Publisher: Hal Leonard
Page Count: 5
SKU: 35-DS00009833

More about this title

About the Artist: Ella Fitzgerald

Ella Fitzgerald dominated jazz vocals for nearly six decades, setting the standard for phrasing, intonation, and interpretive depth that every singer still measures against. Her ability to inhabit a lyric while maintaining crystalline vocal control made her the definitive interpreter of the Great American Songbook, and she earned the title "First Lady of Song" through relentless artistry and an uncompromising ear.

As an educator's reference point, Fitzgerald demonstrates what happens when a musician commits fully to text, melody, and harmony simultaneously. Her recordings reveal how taste and restraint can be more powerful than technical display, making her an invaluable model for students learning to serve the song rather than showcase themselves.

Why we love this

Cole Porter's sophisticated harmony and witty lyric writing find their perfect match in Fitzgerald's interpretive restraint. This arrangement lets the melody breathe across five pages while maintaining enough harmonic interest at the piano to keep accompanists engaged, making it ideal for recital contexts or jazz vocal repertoire classes where standards need genuine musical weight.

What to expect

Elegant restraint with underneath currents of longing. The music unfolds like a conversation between two people considering something precious, moving through moments of directness and moments of turning inward, never rushing toward false resolution.

Who it's for

Jazz singers preparing audition or recital repertoire will find a standard that rewards careful listening and thoughtful interpretation. Accompanists studying how to support a vocal line through harmonic color will appreciate Porter's piano writing here.

How to get the most out of it

  • Honor the conversational quality of Porter's lyric by shaping phrases around the words rather than strictly metronomic timing. The piano part should support natural speech rhythms.
  • Approach the vocal line as a series of small peaks rather than one climactic moment. This song gains power through restraint and selective emphasis on key phrases.
  • Balance the vocal projection so the piano's harmonic movement remains audible. In love songs especially, the accompaniment carries emotional context that solo singing can miss.
  • Experiment with varying the rubato slightly across the five pages. Early verses might sit closer to tempo, with more flexibility developing as the emotional argument unfolds.

How to use it

Pair this with other Porter standards or Fitzgerald recordings in a jazz vocal showcase, or position it as a bridge piece between musical theater and jazz repertoire in a mixed recital. It works particularly well when programmed alongside pieces that also balance lyrical sophistication with emotional directness.

Skills your students will build

  • Navigating Porter's chromatic harmony without losing the melodic line
  • Sustaining musical phrases across harmonic changes while maintaining lyrical clarity
  • Balancing vocal projection with piano dynamics to preserve textural balance
  • Interpreting rubato and phrasing in service of lyrical content rather than melodic shape alone

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