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Easy Songs for Shifting in the First Five Positions: Violin Book

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Easy Songs for Shifting in the First Five Positions Cover Image

Easy Songs for Shifting in the First Five Positions: Violin Book

A Violin Technique Book for Group Classes and Private Instruction

By Kathryn Bird Kinnard

Item: 00-20490X

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Description
Easy Songs for Shifting in the First Five Positions introduces violinists to 2nd, 3rd, 4th, and 5th positions -- all while taking the monotony out of learning. All the melodies included in this book are catchy and easily memorized, utilizing repetition as the method of teaching each shift. In the beginning of each new position, fingerings are provided, but are gradually dropped as the student is expected to learn them. Great for both group classes and private instruction, this will be sought after by all violin teachers.

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Additional Details
Publisher: Alfred Music
Page Count: 44
ISBN10: 1-58951-204-9
ISBN13: 978-1-58951-204-7
UPC: 654979065326
SKU: 00-20490X
Instrumentation: Violin

More about this title

About the Author: Kathryn Bird Kinnard

Kathryn Bird Kinnard

Kathryn Bird Kinnard grew up as a multi-instrumentalist, beginning piano at age four and violin at ten. By fourteen, she had already won the Young Performers Contest in her division and appeared as a soloist with the Knoxville Symphony Orchestra. She earned her degree in violin from the University of Tennessee, where she studied with William Starr, and deepened her teaching knowledge through advanced pedagogy training with Kay Sloan and Janet Bogart at summer intensives in Wisconsin and Michigan.

Throughout her performing career, Kinnard has played with regional orchestras including the Knoxville Symphony, St. Louis Philharmonic, and Elkhart Symphony. She has served on the faculty at the Music Academy at Indiana University South Bend and currently teaches violin in Knoxville, Tennessee, where she brings her orchestral experience and pedagogical training directly to her students.

Why we love this

Kinnard understands the specific psychological challenge of position shifting because she has taught it countless times and performed at professional levels herself. Rather than drill pages of abstract finger patterns, she uses genuine melodies that students already know and enjoy, making each shift feel purposeful and musical. The intelligent scaffolding of fingering guidance (provided at first, then withdrawn) respects student independence while building confidence at exactly the right pace.

What to expect

Familiar tunes suddenly reveal new possibilities as students discover they can play the same songs across the fingerboard. Each shift feels like an accomplishment rather than a hurdle, and the repetition builds confidence without feeling repetitive.

Who it's for

Violin students ready to move beyond first position but still building fundamental left-hand independence, typically in the early-to-intermediate years of study. Whether you teach group classes or work privately, you'll find this book equally effective for students who need methodical, song-based position introduction rather than abstract technical exercises.

How to get the most out of it

  • Play through each song multiple times without stopping, even if a shift feels uncertain. Muscle memory develops through repetition in continuous musical phrases, not isolated technical work.
  • Sing the melody silently while reading ahead of where your bow is, preparing your left hand mentally before the physical shift occurs.
  • Record yourself playing each song once you've added it to your regular repertoire. Hearing your own progress reinforces secure intonation and smooth position transitions.
  • Practice shifting without the bow first, sliding your fingers up and down the strings to feel the exact positions before adding bow movement and musical phrasing.

How to use it

Integrate these pieces into regular lesson rotations during the months when students are actively learning positions 2 through 5, allowing them to perform at recitals once a position feels secure. The 44-page scope makes it easy to select one or two pieces per position level, spacing the introduction across an entire school year without overwhelming your curriculum.

Skills your students will build

  • Shifting smoothly into 2nd, 3rd, 4th, and 5th positions
  • Finding secure intonation in upper positions through repetition and muscle memory
  • Reading fingering notation and internalizing finger placement patterns across multiple positions
  • Playing complete musical phrases while managing positional changes
  • Gradual independence from written fingering guides

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