Easy Original French Horn Duets and Trios Cover Image

Easy Original French Horn Duets and Trios: Horn, Collections, Book

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Easy Original French Horn Duets and Trios Cover Image

Easy Original French Horn Duets and Trios: Horn, Collections, Book

By Gregory M. Kerkorian

Grade: 2

Item: 36-50352009

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Description
Beautifully written and arranged with the young player in mind, these 33 duets and trios make wonderful concert and festival repertoire for early performance. Several of the titles coordinate with other books in the Easy Original Duets and Trios series and may be played in mixed combinations of instruments. There is even a very nice easier selection that can be performed with snare drum. Teachers looking for new and interesting material will be pleased to find several enjoyable selections in a variety of styles, suitable for players whose performance abilities range from beginner to intermediate levels. We enthusiastically recommend the easier duets and trios as first concert material. The note ranges in these selections are very limited and the writing style encourages independent thought.

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Additional Details
Series: LudwigMasters Brass Series
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-887093-4
ISBN13: 978-1-63-887093-7
UPC: 660355077463
SKU: 36-50352009
Instrumentation: F Horn

More about this title

About the Composer: Gregory M. Kerkorian

Gregory M. Kerkorian is a composer and arranger whose work focuses on accessible, well-crafted music for young brass players. His pedagogical approach prioritizes clarity of musical line and thoughtful part-writing that respects the developing musician's needs.

Why we love this

Kerkorian understands what young horn players need: limited ranges that build confidence, clear voicing that lets each player shine independently, and music that actually sounds good in performance. The variety of styles across 33 selections means you'll find pieces that fit your concert theme, your students' abilities, and the specific sound you're going for on any given program.

What to expect

These pieces breathe naturally and reward careful listening. You hear genuine French horn writing scaled thoughtfully for young voices, not simplified arrangements that feel patronizing. The variety spans lyrical passages, rhythmic character pieces, and playful sections, giving students music that reflects the full personality of the instrument.

Who it's for

Horn players at Grade 2 level, from early beginners preparing their first recital to intermediate students building ensemble skills. Directors looking for accessible duet and trio repertoire that avoids the typical "exercise" sound will find plenty of concert-ready material here.

How to get the most out of it

  • Balance the two or three parts by having players practice separately first, then bring them together when each voice is secure. Young players often rush when they hear a partner playing.
  • Take time with intonation in unison or octave passages. These moments expose every tuning issue, so they're invaluable for building ensemble awareness.
  • Use the snare drum accompaniment option as an early performance outlet. Many young horn players gain confidence tackling their first public performance with the support of percussion rather than against it.
  • Mark phrasing and breathing spots in pencil before the first full rehearsal. The limited ranges here allow for generous phrases, but players need to know where to release together.

How to use it

Open a recital with one of the easier duets or trios to settle the audience and give your young soloists a supportive entrance. Use the snare drum options as standalone pieces or program them back-to-back with the drumline on a mixed-instrument concert. The range of styles makes it easy to weave several selections throughout a concert program without tiring the ear.

Skills your students will build

  • Independent part-playing and listening to another voice while maintaining your own line
  • Narrow range control and tone quality in a specific register
  • Intonation matching within duet and trio textures
  • Phrasing and musicality within simple melodic structures
  • Counting rests and entering confidently after silence

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