Easy Kino Hits für Violine Cover Image

Easy Kino Hits für Violine: Violin Book & CD

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Easy Kino Hits für Violine Cover Image

Easy Kino Hits für Violine: Violin Book & CD

12 leicht spielbare Filmmusik-Play-alongs in Spitzen-CD-Qualität für Violine

By Vahid Matejko

Item: 00-20179G

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Description
Filmmusik hat ihren besonderen Reiz. Ihre eigentliche Aufgabe, die Stimmungen und Emotionen der bewegten Bilder zu verstärken, hat sich in vielen Fällen verselbstständigt. Vielen Filmmusik-Komponisten ist es gelungen, eigenständige Kino Hits zu erschaffen, die auch unabhängig von den jeweiligen Filmszenen, für die sie geschaffen wurden, fungieren. Mit der vorliegenden Ausgabe haben wir eine attraktive Auswahl solcher "Kino Hits" getroffen, die alle auch für sich große Erfolge waren.Die vorliegenden Play-alongs der "Kino Hits"-Reihe geben Nachwuchs-Musikerinnen und -Musikern die Möglichkeit, mit echten Musikern zusammenzuspielen und nicht mit programmierten Sounds aus der Konserve. Die meisten Play-alongs wurden "live" von einer Jazz- und Rock-Combo eingespielt, einige andere von einem Orchester. Als Solisten konnten wir einige der gegenwärtig hochkarätigsten, deutschen Musiker für diese Produktion gewinnen, die die beiliegende CD zu einem Spiel- und Hörgenuss machen. Titel: As Time Goes By (aus: Casablanca) * In Dreams (aus: Der Herr der Ringe) * Gonna Fly Now (Rocky) *Hogwart's Hymn (aus: Harry Potter) * I'm Singin' in the Rain (aus: Singin' in the Rain) * Winter Wonderland (aus: Winter Wonderland - The Movie) * James Bond Theme (aus: James Bond jagt Dr. No) * Ghostbusters (aus: Ghostbusters) * I Don't Want To Miss A Thing (aus: Armageddon) * Pink Panther (aus: Der rosarote Panther) * Star Wars (aus: Der Krieg der Sterne) * Miss Marple (aus: Agatha Christie 16:50 ab Paddington).

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Additional Details
Series: Easy Kino Hits
Publisher: Alfred Music
Page Count: 44
ISBN10: 3-94-363812-X
ISBN13: 978-3-943638-12-7
SKU: 00-20179G

More about this title

Why we love this

Young violinists rarely get the chance to play alongside real musicians in a genuine ensemble setting. These arrangements deliver exactly that, with live jazz and rock combos (and orchestral accompaniments for select titles) recorded by accomplished German session players. The collection spans beloved film themes that students actually recognize, which transforms practice from obligation into genuine musical participation.

What to expect

Playing along to these arrangements feels like sitting in the spotlight of a film score recording session. Each theme carries the emotional weight and cinematic sweep of its source material, from the wistful nostalgia of "As Time Goes By" to the propulsive heroism of "Star Wars" and the playful mystery of the Pink Panther theme. Your violin line is front and center, supported by a full ensemble that responds to your musical choices.

Who it's for

Developing violinists who are ready to move beyond isolated practice and experience playing as a soloist within a real musical context. This collection suits students roughly at the intermediate beginner level (early to mid-Level 2 or equivalent) who have solid intonation and basic vibrato control.

How to get the most out of it

  • Listen to the full recorded accompaniment before rehearsing, paying attention to the ensemble's tempo, phrasing, and dynamic arc so your solo line aligns naturally with the overall performance.
  • Mark your entries clearly in the score and practice finding your cue in the accompaniment recording; this builds the attentiveness required for ensemble playing.
  • Balance projection with blend. These are recognizable melodies, so lean into the character and mood of each film theme rather than playing mechanically to the backing track.
  • Experiment with slight tempo flexibility in passages where the accompaniment breathes or swells; the live recordings allow for musical give-and-take that programmed playback never could.

How to use it

Feature these arrangements in recitals or studio concerts where film music appeals to a broad audience, including families unfamiliar with classical repertoire. They also work well as supplementary solo-with-accompaniment material during a season when you're building ensemble reading skills and confidence with backing tracks. Select individual pieces to pair with standard violin repertoire on a recital program, or program several in sequence as a thematic "cinema" section that showcases different musical characters.

Skills your students will build

  • Listening and responding to live accompaniment while maintaining independence as a soloist
  • Phrasing and shaping melodic lines to match the emotional tone and orchestration of film music
  • Managing tempo consistency and rhythmic precision when playing over recorded accompaniment
  • Intonation accuracy within an ensemble context, where tuning errors become immediately apparent

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