Easy Classical Guitar Recital: Easy Repertoire and Performance Tips for the Beginning Player Sheet Music Preview

Easy Classical Guitar Recital: Easy Repertoire and Performance Tips for the Beginning Player: Solo Guitar

Easy Repertoire and Performance Tips for the Beginning Player

By Benjamin Verdery / ed. Nathaniel Gunod

Item: 00-PB-0002187

Digital Download
$25.99
Description
World famous guitarist and educator Benjamin Verdery has compiled standard repertoire pieces as well as new pieces for classical guitar. Performance tips are clearly presented for the beginning player. Information is included on how to prepare and present a recital and tips are provided on technique, interpretation, practicing and dealing with performance anxiety. Features new pieces by Benjamin Verdery, Anthony Newman, Frederic Hand and others as well as important music from the standard repertoire. The online audio includes performances of each piece in the book.

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Sample Audio
1 Baiao Para Ben --:--
2 Cantabile --:--
3 Tibetan Prayer Song --:--

Baiao Para Ben

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Sample Video
Additional Details
Publisher: Alfred Music
Page Count: 64
SKU: 00-PB-0002187

More about this title

About the Composer: Benjamin Verdery

Benjamin Verdery stands among the most recorded classical guitarists of his generation, with a career spanning four decades of concert performances, recordings, and commissions from leading composers. Beyond his work as a performer, Verdery has devoted himself to expanding the repertoire for classical guitar and mentoring emerging players, recognizing early on that accessibility and artistic depth are not mutually exclusive.

Why we love this

Verdery cuts through the noise of beginner guitar instruction by pairing genuine musical substance with practical wisdom. This collection balances proven classics with fresh compositions, all vetted through the lens of someone who understands exactly where beginning players struggle. The performance guidance addresses the mental and technical dimensions of recital readiness, which most method books ignore entirely.

What to expect

This book invites you into the discipline and reward of solo performance without overwhelming you. The pieces range from spare, meditative studies to charming character pieces that let your personality shine through. You'll find yourself hearing classical guitar not as a distant art form but as something you can genuinely make your own.

Who it's for

Beginning classical guitarists preparing their first recital or solo performance opportunities. Music educators looking for curated repertoire that combines technical accessibility with musical authenticity. Students ready to move beyond exercises and engage with real literature at an appropriate challenge level.

How to get the most out of it

  • Map out the recital space and acoustics beforehand; even small details like stage lighting and sight lines affect your comfort level and how the guitar projects
  • Isolate the measures that cause tension or hesitation during practice, then perform only those sections repeatedly until the muscle memory overwrites the anxiety response
  • Record yourself in full recital mode (no stopping, no retakes) at least three times before the performance to familiarize your nervous system with the complete experience
  • Build a pre-performance ritual that grounds you: specific warm-up exercises, breathing patterns, or mental imagery that you practice consistently so it feels natural on stage

How to use it

Assign selections as repertoire choices for student juries, studio recitals, or formal competitions where beginners need guidance beyond the notes. Use the recital preparation section in a group lesson or studio class format to demystify performance fundamentals. Integrate pieces into a progressive curriculum that tracks students from early method books into real concert literature.

Skills your students will build

  • Interpreting performance notes and stylistic markings specific to classical guitar repertoire
  • Building stamina and consistency through complete run-throughs of multi-piece programs
  • Managing performance anxiety through deliberate preparation strategies
  • Recognizing and executing appropriate tempo and rubato in contrasting musical styles
  • Applying right-hand and left-hand technique principles to authentic musical contexts rather than isolated exercises

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