Easy Christmas Carols Instrumental Solos for Strings Cover Image

Easy Christmas Carols Instrumental Solos for Strings: Cello Book & Online Audio/Software

$14.99 USD
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Easy Christmas Carols Instrumental Solos for Strings Cover Image

Easy Christmas Carols Instrumental Solos for Strings: Cello Book & Online Audio/Software

Arr. various, ed. Bill Galliford

Item: 00-38778

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Description
This book is part of an instrumental series arranged for Violin, Viola, and Cello. The arrangements are completely compatible with each other and can be played together or as solos. Each book contains a carefully edited part that is appropriate for the level 1 player, as well as a fully orchestrated accompaniment recording. The recording includes a DEMO track of each song, which features a live instrumental performance, followed by a PLAY-ALONG track. Titles: Angels We Have Heard on High * Away in a Manger (Medley) * Come, Thou Long-Expected Jesus * Go, Tell It on the Mountain * We Three Kings * Hark! The Herald Angels Sing * It Came Upon a Midnight Clear * Joy to the World * O Come All Ye Faithful * O Come, O Come, Emmanuel * O Little Town of Bethlehem * Silent Night * The First Noel * What Child Is This?
"As most musicians can attest, sometimes sheet music can oversimplify a familiar song, rendering it hard on the ears. However, Alfred Music has done a tremendous job arranging these pieces."
---Blogcritics.org

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Additional Details
Series: Easy Instrumental Solos Series
Publisher: Alfred Music
Page Count: 72
ISBN10: 0-7390-8403-8
ISBN13: 978-0-7390-8403-8
UPC: 038081428703
SKU: 00-38778
Instrumentation: Cello

More about this title

Why we love this

Alfred's arrangements respect the melodic integrity of these carols while keeping the cello part genuinely playful and singable for early students. The dual-track recordings (demo followed by play-along) let cellists hear exactly how their part sits in a real orchestration before they try it themselves, which builds confidence fast. You get 14 beloved carols in one book, all at consistent difficulty, making this ideal for holiday programs or winter concert prep without scrambling for supplementary materials.

What to expect

Familiar carols delivered with warmth and clarity. These arrangements avoid the thin, skeletal sound of overly simplified charts while respecting the beginner's technical limits, so students feel they're playing "real" music, not exercises wearing holiday costumes.

Who it's for

Level 1 cellists ready to play complete, recognizable songs in ensemble or solo contexts. This works equally well for young students building solo recital material and for string orchestras wanting accessible holiday repertoire that doesn't require extensive rehearsal.

How to get the most out of it

  • Listen to the demo track multiple times before picking up the bow. Hearing the full arrangement helps early students understand phrasing and where their voice sits in the texture.
  • Dial back vibrato on the longer, lyrical lines ("Silent Night," "O Little Town of Bethlehem") so the simple melody shines without overselling it.
  • The medley arrangement of "Away in a Manger" contains tempo or key shifts. Mark those transitions clearly in your part and practice them separately before running the full piece.
  • Coordinate with your violins and violas if playing together. The compatibility across parts makes blend essential, particularly in passages where cello carries harmonic support rather than melody.

How to use it

Build an entire winter concert program around these 14 carols, mixing solos and ensemble combinations depending on student readiness. Alternatively, extract individual pieces throughout December to gradually introduce the holiday season into lessons and studio classes. The recorded accompaniments also make these perfect for student performances at community events when full ensemble backup isn't possible.

Skills your students will build

  • Playing sustained tones with consistent intonation and tone quality
  • Phrasing lyrical melodies across multiple bow strokes
  • Balancing as a harmonic voice when accompaniment rather than melody carrier
  • Rhythmic coordination with recorded accompaniment
  • Performing with confidence from memory or notation in a holiday context

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