Earth Teach Me Quiet for SSAATTBB Choir Cover Image

Earth Teach Me Quiet for SSAATTBB Choir: SSAATTBB Choral Octavo

$5.70 USD
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Earth Teach Me Quiet for SSAATTBB Choir Cover Image

Earth Teach Me Quiet for SSAATTBB Choir: SSAATTBB Choral Octavo

for SSAATTBB Choir, Water-tuned Glasses and Marimba

By Eriks Ešenvalds / Words Prayer of the Ute of North America

Item: 98-MB1552

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The New York Times 25 Best Classical Music Tracks of 2020
Earlier this year, when singing together became just about the most dangerous thing you could do, Donald Nally, the magus behind the Crossing, our finest contemporary-music choir, began posting daily recordings from their archives. He called it 'Rising w/ the Crossing', also the title of an album of a dozen highlights... I keep returning to Eriks Ešenvalds's dreamily unfolding appeal to the Earth, its text a prayer of the Ute people of the American Southwest: a work of true radiance, fired by the precision and passion of this spectacular group. (Zachary Woolfe)

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Additional Details
Series: Musica Baltica
Publisher: Musica Baltica
Page Count: 20
ISBN10: 0-697-95480-3
ISBN13: 979-0-697-95480-9
SKU: 98-MB1552
Instrumentation: Mixed Voices (SSAATTBB)

More about this title

About the Composer: Eriks Ešenvalds

Eriks Ešenvalds is a Latvian composer whose choral works have become fixtures in contemporary concert halls worldwide. His music combines minimalist textures, modal harmony, and profound spiritual themes, often drawing on texts from indigenous cultures and contemplative traditions. Ešenvalds has received commissions from major ensembles and festivals, and his compositions for choir have been championed by conductors seeking music that connects singers and listeners to something larger than technique.

Why we love this

Ešenvalds has written something genuinely rare: a piece that sounds radiant without relying on harmonic complexity or textural density. The prayer text from the Ute people becomes the emotional anchor, and the spare orchestration (water-tuned glasses, marimba, voices) creates space for singers to find their own reverence in the music. This is the kind of work that stays with your choir long after the final performance.

What to expect

The piece unfolds like a prayer spoken into stillness. Voices enter and layer gradually, supported by the ethereal sound of water-tuned glasses and soft marimba, creating an atmosphere of quiet contemplation that feels both intimate and expansive. There is no urgency here; instead, the music draws listeners into a meditative space where breath and silence carry as much weight as sound.

Who it's for

Advanced high school and college choirs with singers comfortable in contemporary idioms and the ability to balance modern scoring with lyrical expression. This work demands precision and spiritual maturity from performers, rewarding both with a piece that has earned recognition from major music critics.

How to get the most out of it

  • Approach the water-tuned glasses and marimba as integral voices, not accompaniment. These colors shape the harmonic and emotional world; coordinate rehearsals so ensemble members hear how their singing meshes with these timbres.
  • Attend to the unfolding nature of the piece. Resist pushing tempos or adding vibrato where the writing calls for stillness; let phrases breathe in their own time.
  • Balance soprano and alto lines carefully in the upper register. The writing often distributes the melody across multiple parts, and clarity matters more than blend.
  • Tune the choir to the pitched percussion. The marimba and glasses establish harmonic reference points; have singers listen and adjust intonation accordingly during rehearsals.

How to use it

Program this as an anchor for a concert built around nature-inspired or spiritually-grounded repertoire. Its chamber-like instrumentation and 20-page format make it ideal for a shorter contemporary set, and the profound emotional core offers a powerful contrast to more energetic works. Consider pairing it with other commissions or contemporary pieces that share its contemplative aesthetic.

Skills your students will build

  • Balancing voices in open, minimalist textures
  • Singing with precise intonation in modal harmonic language
  • Responding to pitched percussion as harmonic reference
  • Sustaining long phrases with steady breath support
  • Finding expression within sparse, contemporary scoring

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