Each of Us Has a Light Cover Image

Each of Us Has a Light: 2-Part Choral Octavo

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Each of Us Has a Light Cover Image

Each of Us Has a Light: 2-Part Choral Octavo

Words and music by Sally K. Albrecht and Jay Althouse

Item: 00-30988

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Description
You'll enjoy having this gospel-style swing piece as an excellent change-of-pace choral in your next concert. It even incorporates a bit of the traditional spiritual "This Little Light of Mine." Uplifting text for year-round use. Even appropriate for a candle-lighting ceremony any time of year.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Each of Us Has a Light: 2-Part Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081337609
SKU: 00-30988

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped choral music education for over three decades, first as Director of School Choral, Vocal, and Elementary Publications at major educational publishers, then as a composer and clinician whose work reaches thousands of singers annually. She has received the ASCAP Special Music Award every year since 1987 and currently has more than 600 choral publications in print, alongside 75 larger works including full musicals. Her conducting has been featured at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, where she leads honor choirs and festival events across the country.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), and has taught in the music departments at Oakland University, Jersey City State College, and Meredith College. Her collaborative work with her husband and fellow composer Jay Althouse has produced much of the accessible, singable repertoire that choral programs depend on. In recognition of her sustained leadership in music education, she received the Distinguished Alumna Award from both Rollins College and the University of Miami Frost School of Music in 2021.

Why we love this

This piece gives choirs a genuine smile-inducing moment without sacrificing musicality. The swing style and spiritual reference work together to create something that feels both fresh and rooted, while the optional recorded accompaniment lets you focus rehearsal time on blend and phrasing rather than piano-learning the parts.

What to expect

Energetic and affirming, with the kind of optimism that comes from swing rhythm and spiritual roots. The piece moves with purpose, it feels like your singers are genuinely celebrating something together rather than simply executing parts on a page.

Who it's for

Any choir looking for a showstopper that works as an emotional palate cleanser in concert programming. The 2-part voicing and straightforward ranges make it accessible to developing choirs, yet the style and harmonic sophistication keep it musically interesting for experienced singers.

How to get the most out of it

  • Keep the swing rhythm bouncy but controlled; the rhythmic drive should feel conversational, not rushed.
  • Balance the gospel-style harmonies so the independent lines stay clear, this style lives in the interplay between voices.
  • If using the recorded accompaniment, rehearse it early so singers can feel how their parts sit within the fuller texture.
  • The spiritual reference lands best when the text is sung with genuine warmth; encourage singers to think about what the metaphor means to them personally.

How to use it

Place this mid-program to shift the mood and energy, especially if you have more introspective work surrounding it. It also works beautifully as a closer for any event with an inspirational theme, and the candle-lighting application makes it ideal for holiday concerts, memorial services, or recognition ceremonies throughout the school year.

Skills your students will build

  • Swing rhythm and syncopation
  • Gospel-influenced harmonic movement
  • Independent part singing in 2-part texture
  • Text-driven interpretation and expression
  • Balancing line independence with ensemble blend

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