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Dynamite: SATB divisi, <i>a cappella</i> Choral Octavo

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Dynamite: SATB divisi, a cappella Choral Octavo

Words and music by Bonnie McKee, Taio Cruz, Lukasz Gottwald, Max Martin, and Benjamin Levin / arr. Alex Phan

Item: 00-38203

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Description
This is dynamite! Dig into this challenging, divisi, a cappella setting of Taio Cruz's hit song from the Billboard Hot 100. Features a soloist. "I wanna celebrate and live my life!" It's a blast!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Dynamite: SATB divisi, a cappella Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081426747
SKU: 00-38203

More about this title

About the Composer: Bonnie McKee

Bonnie McKee is a singer-songwriter and composer who has written and co-written numerous pop hits across multiple genres. Her work spans both solo artistry and collaborative songwriting, bringing a pop sensibility to contemporary music. In the educational choral world, her arrangements help young singers connect with music they hear on the radio while developing serious vocal and ensemble skills.

Why we love this

Alex Phan's arrangement respects the infectious energy of the original while building genuine complexity into the divisi writing, giving your singers real musical challenges without sacrificing the joy that makes this song so infectious. The soloists moments feel like a real performance vehicle, not an afterthought, and the a cappella texture forces your ensemble to lock in rhythmically and blend with precision.

What to expect

Upbeat and celebratory, with tight vocal layers that create a modern pop sound entirely from voices. The piece has moments of rhythmic sophistication that keep the energy sharp and the texture alive, even without instrumental support.

Who it's for

Choirs at the high school and early college level who can handle secure divisi singing and want to program contemporary pop music that requires serious musicianship. Your singers know this song, which means they're already invested in nailing it.

How to get the most out of it

  • Lock the soloist's phrasing with the ensemble's rhythmic backbone early in rehearsal; this song lives or dies by groove, and the a cappella setting means there's nowhere to hide.
  • Balance the divisi sections carefully, especially where upper voices split from lower voices, so the arrangement doesn't collapse into a single harmonic mass.
  • Treat the rhythmic precision as fundamental: tight articulation and synchronized breath marks will make the energy punch through.
  • Let the ensemble embrace the celebratory attitude of the text; this arrangement rewards singers who commit to the attitude, not just the notes.

How to use it

This works as a concert closer or a second-half opener, particularly in programs aimed at younger audiences or designed to show off your ensemble's contemporary repertoire chops. Pairing it with other pop arrangements from the Alfred series creates cohesion; programming it solo lets it dominate with its own energy.

Skills your students will build

  • Rhythmic precision and synchronization in a cappella setting
  • Balancing independent divisi lines while maintaining ensemble blend
  • Stylistic interpretation of contemporary pop idioms
  • Soloists' performance confidence and microphone technique (if amplified)
  • Breath control and legit vocal production at energetic tempos

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