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Duke's 'Bones: Trombone Book

$30.95 USD
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Duke's 'Bones Cover Image

Duke's 'Bones: Trombone Book

Ellington's Great Trombonists

[Duke Ellington] By Kurt Dietrich

Item: 01-ADV19105

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Description
Duke's 'Bones: Ellington's Great Trombonists is a fascinating account of the trombone greats who played in Duke's band from 1923--1973---Joe Nanton, Juan Tizol, Lawrence Brown, Booty Wood, Butter Jackson, Tyree Glenn, etc.---with photos, solo transcriptions, and discography.

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Additional Details
Series: Advance Music
Publisher: Advance Music
ISBN10: 3-892210-59-4
ISBN13: 978-3-892210-59-7
UPC: 805095191059
SKU: 01-ADV19105

More about this title

About the Author: Kurt Dietrich

Kurt Dietrich has spent decades documenting jazz history with particular focus on instrumental traditions and the musicians who shaped them. His research into Duke Ellington's orchestra is rooted in direct study of recordings, arrangements, and the players themselves, making him a vital voice in preserving jazz pedagogy.

Why we love this

This book treats the trombone section as a compositional voice rather than a rhythm section footnote. By centering five decades of Ellington's trombonists through transcriptions and historical context, students see how individual voice and stylistic evolution shaped one of jazz's greatest orchestras.

What to expect

Intimate and authoritative. The photos and biographical sketches make these musicians real people solving real musical problems across changing decades. The transcriptions range from breathy, mute-heavy ensemble work to soaring solo statements, revealing the full emotional and technical spectrum the trombone commands.

Who it's for

Serious trombone students and jazz educators who want their players to understand that great jazz soloing grows from specific compositional contexts and bandleader vision, not just individual technique. This works especially well for advanced high school jazz ensembles or college jazz studies programs exploring jazz history.

How to get the most out of it

  • Study the transcriptions chronologically to hear how the instrument's role shifted from the early ensemble textures (Nanton, Tizol) through the more orchestral writing for Brown and Glenn.
  • Listen to the recordings alongside the solos. Ellington's arrangements were written for specific voices; hearing how each player approaches similar figures reveals the interpretive choices that define your own approach.
  • Pay attention to the harmonic language each trombonist navigates. The shifts in sophistication across the band's history demand growing melodic and harmonic literacy.

How to use it

Use this as the foundation for a unit on jazz arranging and orchestration, pairing transcription study with your ensemble's own repertoire work. For programs with jazz history components, the discography and timeline anchor discussions of Ellington's evolution across the 20th century.

Skills your students will build

  • Reading idiomatic jazz articulation and phrasing from transcribed solos
  • Understanding harmonic movement in sophisticated jazz contexts
  • Analyzing how composers write for individual voices within ensemble structures
  • Recognizing stylistic and technical development across historical periods
  • Building listening literacy through close study of recorded references

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