Duets for Christmas Lovers, Book 2 Cover Image

Duets for Christmas Lovers, Book 2: Piano Duet (1 Piano, 4 Hands) Book

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Duets for Christmas Lovers, Book 2 Cover Image

Duets for Christmas Lovers, Book 2: Piano Duet (1 Piano, 4 Hands) Book

10 Piano Duet Arrangements of Favorite Christmas Carols for the Elementary Level

Arranged by Margaret Goldston

Level: Elementary

Item: 00-6664

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Description
Satisfying duet arrangements of favorite Christmas carols. Similar to the popular Duets for Dog Lovers, these collections possess the following features: all primo parts can be played alone as a solo and all primo and secondo parts are equal in difficulty. The three duet books (early elementary, elementary and late elementary) can be used with the first three books of any piano method.

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Additional Details
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-0727-0
ISBN13: 978-0-7390-0727-3
UPC: 038081025735
SKU: 00-6664

More about this title

About the Arranger: Margaret Goldston

Margaret Goldston

Margaret Goldston (1932-2003) shaped piano pedagogy through decades of studio teaching and clinical work across North Carolina. She earned her Bachelor of Music degree in piano performance from Louisiana State University and studied composition privately with Pulitzer Prize winner Robert Ward, deepening her craft beyond performance into original composition.

Goldston's contributions to music education were recognized multiple times: the North Carolina Federation of Music Clubs named her Composer of the Year in both 1983 and 1994, and she served as a convention speaker for the organization. LSU honored her as School of Music Alumnus of the Year in 1991. Her compositions remain fixtures on NFMC Junior Festivals Bulletin contest lists, and the Music Teachers National Association awarded her Foundation Fellow status posthumously in 2020. She conducted masterclasses and workshops throughout the United States and Canada, leaving a legacy in both published works and the teachers she influenced.

Why we love this

Goldston's arrangement philosophy treats both hands equally, which means your secondo player isn't sidelined into an accompaniment role. Primo students can perform these carols alone if needed, making the book work for mixed-ability partnerships or as a bridge from solo playing into ensemble work. The Christmas carol literature is instantly recognizable, so students immediately hear the melody and connect emotionally to what they're learning.

What to expect

These arrangements capture the warmth and accessibility of beloved Christmas carols while respecting the technical reality of early elementary playing. The writing sparkles without taxing young hands, preserving the festive character of each carol while keeping both players engaged in genuine musical partnership.

Who it's for

Elementary pianists ready to explore ensemble playing with a peer of similar ability. This book works equally well for a student who can play primo or secondo parts independently, and pairs well with students progressing through early elementary to elementary levels of piano study.

How to get the most out of it

  • Balance the melody between primo and secondo; since both parts are equal in difficulty, neither player should dominate the texture. Listen carefully to how the arrangement distributes the carol melody.
  • Practice hands separately first at tempo, then bring them together slowly. The independence required at this level demands secure individual part work before combining.
  • Use the familiar carol melodies as an anchor. If either partner loses place, you both know where the tune should be, which makes recovery natural.

How to use it

Include duet selections in winter recitals as engaging interludes between solo performances, or present multiple arrangements back-to-back as a short duet showcase that highlights holiday spirit. The equal difficulty between parts makes these ideal for student recitals where you want to celebrate ensemble collaboration without creating awkward partnerships between different ability levels.

Skills your students will build

  • Playing independently with a partner at the same technical level
  • Balancing melody and accompaniment textures in a duet context
  • Reading and sustaining two different rhythmic lines simultaneously
  • Coordinating pedal usage between two players
  • Listening and responding to another pianist while maintaining ensemble cohesion

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